Medieval medical music was believed to have therapeutic powers and was used to treat a wide range of physical ailments, including headaches, digestive problems, and skin conditions.

The harp was a popular instrument in medieval medical music due to its gentle and soothing sound, which was believed to have a calming effect on patients.

Medieval medical music was primarily used to provide comfort and support to patients during medical procedures and treatments, as well as to promote relaxation and healing.

The Canon of Medicine, written by the Persian physician Avicenna, included a section on the use of music for therapeutic purposes, emphasizing the importance of specific melodies and rhythms for different ailments.

The Pythagorean scale was believed to have inherent healing properties, and specific notes and intervals were associated with different parts of the body and their corresponding ailments.

Hildegard of Bingen, a German Benedictine abbess, was renowned for her use of music in her medical practice, composing numerous songs and chants believed to have healing effects.

Medieval medical practitioners believed that music could calm the mind and restore emotional balance, thereby alleviating symptoms of mental illnesses such as anxiety and depression.

Music was primarily used in medieval hospitals to provide comfort and support to patients, helping to alleviate pain, anxiety, and stress during medical procedures and treatments.

Gregorian chant, with its simple melodies and repetitive rhythms, was widely used in medieval medical practices due to its believed calming and healing effects.

Medieval medical education included instruction on the use of music for therapeutic purposes, with students learning about the different melodies, rhythms, and instruments believed to be effective for various ailments.

Medieval medical practitioners believed that the patient's reaction to music could provide insights into their physical and mental state, helping in the diagnosis of illnesses.

The Canon of Medicine, written by Avicenna, contained a section dedicated to the use of music during surgical procedures, providing guidance on the types of music and instruments suitable for different surgeries.

Music played a significant role in medieval religious healing practices, as it was believed to promote spiritual well-being, facilitate communication with divine beings, and create a sacred atmosphere conducive to healing.

Medieval medical practitioners sometimes applied music directly to the affected area, believing that the vibrations and melodies could penetrate the skin and promote healing.