Dadaism was characterized by its rejection of traditional forms and structures, emphasis on spontaneity and improvisation, and use of nonsensical language and imagery. It actively sought to break away from established norms and conventions.

Dadaist poets sought to challenge conventional notions of language and meaning, experimenting with unconventional forms, structures, and language itself. They aimed to subvert and disrupt traditional modes of expression.

Tristan Tzara, a prominent Dadaist poet, is known for his innovative use of the 'cut-up' technique. He would randomly rearrange words and phrases from existing texts, creating new and unexpected combinations that challenged conventional notions of language and meaning.

Dadaism emerged in the aftermath of World War I, as a reaction to the widespread disillusionment and despair caused by the war's devastation. Dadaists sought to challenge and subvert traditional values and norms, which they believed had led to the war.

Dadaist literature encompassed a wide range of experimental techniques, including stream-of-consciousness writing, collage and photomontage, and the use of readymade objects and found materials. These techniques challenged conventional notions of authorship, originality, and artistic expression.

Tristan Tzara, a leading figure in the Dada movement, wrote the influential 'The Great Dada Manifesto' in 1918. This manifesto declared Dadaism's opposition to traditional art and its embrace of absurdity, irrationality, and anti-art.

Dadaism's emphasis on spontaneity, irrationality, and the rejection of traditional artistic conventions paved the way for the emergence of Surrealism. Many Dadaists, including Tristan Tzara and Francis Picabia, later became associated with the Surrealist movement.

Hugo Ball, a prominent Dadaist poet, wrote the groundbreaking poem 'The Sound of the Saw' in 1916. This poem experimented with the use of onomatopoeia and sound effects, challenging conventional notions of poetic language and meaning.

Dadaist literature frequently employed humor and satire to critique societal norms and values. It also incorporated political and social commentary, addressing issues such as war, class struggle, and the hypocrisy of the bourgeoisie. Additionally, collage and fragmentation were common techniques used to disrupt traditional narrative structures and create new and unexpected juxtapositions.

Kurt Schwitters, a versatile Dadaist artist and poet, wrote the acclaimed poem 'Anna Blume' in 1919. This poem delves into the themes of love, loss, and the absurdity of existence, employing a unique blend of imagery, wordplay, and experimental language.

Dadaism's impact extended beyond its immediate circle, influencing the works of notable poets such as T.S. Eliot, Ezra Pound, and Guillaume Apollinaire. These poets incorporated elements of Dadaist aesthetics and techniques into their own writing, contributing to the broader modernist movement.

Hugo Ball, a prominent Dadaist poet and performer, wrote the powerful poem 'The End of the World' in 1916. This poem captures the disillusionment and despair that permeated the post-World War I era, expressing the sense of loss and uncertainty that characterized the time.

Dadaism's anti-art stance challenged traditional notions of beauty and aesthetics, questioning the very definition of what constitutes art. It also subverted the concept of artistic originality, emphasizing the role of chance and spontaneity in the creative process. Additionally, Dadaism critiqued the elitism and commercialization of the art world, challenging the traditional role of the artist in society.

Tristan Tzara, a leading figure in the Dada movement, wrote the iconic poem 'Dada' in 1918. This poem encapsulates the movement's spirit of absurdity, irrationality, and rejection of conventional poetic forms. It is a playful and provocative celebration of the Dadaist ethos.

Dadaism's legacy continues to influence contemporary literature and poetry. Its emphasis on experimentation with language and form, its questioning of traditional artistic conventions, and its exploration of the relationship between art and society have inspired generations of artists and writers. Dadaism's spirit of innovation and its challenge to the status quo remain relevant and influential in the ever-evolving landscape of artistic expression.