Jacques Derrida is widely regarded as the founder and leading figure of Deconstruction.

Deconstruction aims to expose the hidden assumptions, contradictions, and power dynamics that shape texts and cultural artifacts.

Deconstruction is the process of critically examining and dismantling texts and cultural artifacts to reveal their underlying structures and assumptions.

Binary oppositions, logocentrism, and intertextuality are all central concepts in Deconstruction.

Discourse refers to the ways in which language is used to construct meaning and shape social interactions.

Close reading is a method of textual analysis that involves paying careful attention to the details and nuances of a text.

Indeterminacy, plurality, and ambiguity are all terms used to describe the idea that texts and cultural artifacts have multiple possible meanings.

Michel Foucault, Roland Barthes, and Julia Kristeva are all key figures associated with Deconstruction.

Contextualization, historicism, and cultural studies are all terms used to describe the idea that texts and cultural artifacts are shaped by their historical and cultural contexts.

Of Grammatology, The Order of Things, and The Death of the Author are all key texts in Deconstruction.

Linguistic determinism is the idea that language is not a neutral medium but rather a system that shapes and constrains our thoughts and experiences.

Trace, differance, and dissemination are all key concepts in Deconstruction.

Hermeneutics, intertextuality, and reception theory are all terms used to describe the idea that texts and cultural artifacts are always already interpreted and shaped by our prior knowledge and experiences.

Paul de Man, J. Hillis Miller, and Barbara Johnson are all key figures associated with Deconstruction.

Indeterminacy, plurality, and ambiguity are all terms used to describe the idea that texts and cultural artifacts are always incomplete and open-ended, and that their meaning is constantly shifting and evolving.