Club Dada was a nightclub and performance space in Berlin that was a hub for Dadaist activity.

Hannah Hoch was a German Dadaist artist known for her photomontages, which combined photographs and other images to create new and often surreal compositions.

291 was a Dadaist magazine published in New York City from 1915 to 1917. It was edited by Alfred Stieglitz and featured the work of many Dadaist artists, including Marcel Duchamp, Francis Picabia, and Man Ray.

Marcel Duchamp was a French Dadaist artist known for his readymades, which were everyday objects that he selected and exhibited as art.

Cabaret Voltaire was a nightclub and performance space in Zurich that was the birthplace of Dadaism.

Hugo Ball was a German Dadaist artist known for his anti-art performances, which often involved reciting nonsensical poetry or making strange noises.

Dada was a Dadaist magazine published in Zurich from 1916 to 1920. It was edited by Tristan Tzara and featured the work of many Dadaist artists, including Hugo Ball, Hans Arp, and Marcel Duchamp.

Kurt Schwitters was a German Dadaist artist known for his collages, which were made from a variety of materials, including newspaper clippings, fabric scraps, and found objects.

The Blind Man was a Dadaist group in New York City that was active from 1917 to 1922. It was founded by Marcel Duchamp and Francis Picabia.

Hugo Ball was a German Dadaist artist known for his sound poems, which were performed in a variety of settings, including nightclubs and art galleries.

Club Dada was a Dadaist magazine published in Berlin from 1919 to 1920. It was edited by Raoul Hausmann and featured the work of many Dadaist artists, including Hannah Hoch, Kurt Schwitters, and George Grosz.

Tristan Tzara was a Romanian Dadaist artist known for his performances, which often involved reciting nonsensical poetry or making strange noises.

The Blind Man was a Dadaist group in Cologne that was active from 1919 to 1920. It was founded by Hans Arp and Max Ernst.

Raoul Hausmann was a German Dadaist artist known for his photomontages, which combined photographs and other images to create new and often surreal compositions.

The Blind Man was a Dadaist magazine published in Cologne from 1919 to 1920. It was edited by Hans Arp and Max Ernst.