Dadaists sought to break away from conventional artistic practices and materials, believing that art could be made from anything and that the traditional boundaries between art and life should be blurred.

Paint was not a typical material used by Dadaists, as they often sought to challenge traditional artistic materials and techniques.

Duchamp's "Fountain" was a urinal that he submitted to an art exhibition, challenging the traditional notion of what constitutes art and questioning the role of the artist in creating it.

Dadaists used collage and photomontage to create visually striking and thought-provoking compositions, combine disparate elements and create new meanings, and critique the mass media and popular culture.

Dadaism emerged before Surrealism and influenced its development, with many Dadaists later becoming involved in the Surrealist movement.

Marcel Duchamp is the artist behind "The Bride Stripped Bare by Her Bachelors, Even", a large glass sculpture that is considered one of the most important works of Dadaism.

The Dada journal "Dada" was published in Zurich from 1916 to 1922 and played a significant role in disseminating Dadaist ideas and artworks.

Dadaists used performance art and happenings to break down the boundaries between art and life, engage the audience in a participatory experience, and challenge traditional notions of artistic presentation.

Dadaism challenged traditional notions of art and artistic materials, influenced the development of subsequent art movements, and reflected the cultural and political turmoil of the early 20th century.

Hannah Höch is the artist behind "Cut with a Kitchen Knife", a photomontage that is considered one of the most iconic works of Dadaism.

Dada Berlin was the name of the Dadaist group that was active in Berlin from 1918 to 1922.

Dadaists used satire and humor in their art to critique social and political issues, poke fun at traditional artistic conventions, and create a sense of absurdity and chaos.

291 was the name of the Dadaist journal that was published in New York from 1920 to 1921.

Raoul Hausmann is the artist behind "The End of the World", a sculpture that is considered one of the most iconic works of Dadaism.

Dada Cologne was the name of the Dadaist group that was active in Cologne from 1919 to 1920.