Islamic art typically avoids figurative representations of living beings due to religious prohibitions against idolatry.

The Umayyads were renowned for their grand architectural projects, including the construction of mosques, palaces, and public buildings.

The Abbasids incorporated elements of Sassanian art, particularly in their metalwork, ceramics, and textiles.

Kufic, Naskh, and Thuluth are all styles of Islamic calligraphy used for writing Arabic script.

The Alhambra is a renowned example of Moorish architecture, featuring intricate geometric patterns, colorful tiles, and delicate arches.

The Seljuks were skilled architects, constructing mosques, palaces, and caravansaries with distinctive pointed arches and elaborate ornamentation.

The Mongol invasion resulted in a cross-cultural exchange, leading to the fusion of Islamic and Chinese artistic elements in various media.

The Ottomans excelled in architecture, painting, calligraphy, and other art forms, leaving a rich artistic legacy.

The Shahnameh of Firdausi, The Book of Kings, and The Rubaiyat of Omar Khayyam are all examples of Islamic miniature painting, known for their intricate details and vibrant colors.

Aniconism in Islamic art is rooted in the principle of Tawhid, which emphasizes the oneness and indivisibility of God, and the avoidance of idolatry.

Human figures are generally avoided in Islamic art due to religious prohibitions against idolatry.

Calligraphy in Islamic art serves decorative, communicative, and religious purposes, often conveying verses from the Quran, hadiths, or poetry.

The Great Mosque of Damascus showcases a blend of Byzantine and Sassanian architectural elements, including mosaics, arches, and intricate carvings.

The concept of 'haram' in Islamic art encompasses elements that are forbidden or prohibited according to Islamic law and religious teachings.

Mosques are primarily functional spaces designed for prayer and religious gatherings, rather than being solely decorative in nature.