The lyre was a stringed instrument with a wooden frame and animal skin stretched over it. It was played by plucking the strings with a plectrum.

The aulos was a double-reed instrument made of wood or bone. It produced a shrill, piercing sound.

The sistrum was a metal rattle used in religious ceremonies to accompany hymns and prayers.

The frame drum was a circular percussion instrument with a skin stretched over a wooden frame. It was played by striking the skin with the hands or a stick.

Music and dance played a central role in Mesopotamian religious rituals, accompanying ceremonies, festivals, and temple worship.

The harvest dance was performed during the harvest season to celebrate the abundance of crops and ensure a bountiful harvest in the following year.

The lyre was often depicted in Mesopotamian art as a symbol of power and authority, associated with kings and deities.

The shofar was a horn trumpet made from the horn of an animal, typically a ram or goat. It was used for religious ceremonies and military signaling.

The panpipes were a set of pipes of different lengths, played by blowing across the top. They were often used to accompany vocal performances and provide melodic support.

The sacred dance was a ritual dance performed in temples and religious ceremonies to honor the gods and goddesses and seek their favor.

Wood was the most commonly used material for making Mesopotamian musical instruments, due to its availability and ease of working with.

The sistrum was a metal rattle with a handle and a series of metal rings or disks. When shaken, it produced a bell-like sound.

Music and dance were used in Mesopotamian warfare to boost the morale of soldiers and intimidate the enemy.

The lute was a stringed instrument with a rounded body and a long neck. It was played by plucking the strings with a plectrum.

Music and dance played a significant role in Mesopotamian social gatherings, providing entertainment and fostering a sense of community.