Absorption is the ability of a material to absorb sound waves, reducing their energy and preventing them from being reflected or transmitted.

The reverberation time of a room is determined by the volume, surface area, and shape of the room, not by its temperature.

Reflection is the unwanted bouncing back of sound waves from a surface, causing echoes and interfering with the clarity of sound.

Acoustic foam is a porous material that is commonly used to absorb sound waves in a room, reducing reverberation and improving sound quality.

Transmission is the ability of a material to allow sound waves to pass through it, allowing sound to travel from one space to another.

Lighting does not directly affect the sound quality of a concert venue, although it can impact the overall atmosphere and experience.

Clarity is the overall clarity and definition of sound, allowing listeners to distinguish between different sounds and instruments.

The frequency of a sound wave does not directly affect its loudness, although it can influence the perception of loudness.

Timbre is the subjective perception of the pleasantness or unpleasantness of a sound, influenced by factors such as the harmonic content and attack and decay characteristics of the sound.

The distance from the sound source does not directly affect the pitch of a sound, although it can influence the perceived loudness and timbre.

Frequency response is the range of frequencies that a sound can produce, typically measured in hertz (Hz).

Frequency response does not directly affect the dynamic range of a sound system, although it can influence the overall sound quality.

Signal-to-noise ratio is the ratio of the desired signal level to the background noise level, typically measured in decibels (dB).

Dynamic range does not directly affect the total harmonic distortion of a sound system, although it can influence the overall sound quality.

Total harmonic distortion is the unwanted addition of new frequencies to a sound signal, typically measured as a percentage.