Functionality is typically not considered an aesthetic criterion, as it pertains to the practical or utilitarian aspects of an object rather than its beauty or artistic value.

The Objectivist Theory holds that beauty is an objective quality that exists independently of the observer and can be objectively measured and evaluated.

The Subjectivist Theory maintains that beauty is entirely subjective and depends solely on the individual's personal preferences and experiences.

David Hume is known for his Subjectivist Theory of Beauty, which emphasizes the role of individual perception and experience in determining what is considered beautiful.

Kant's theory of aesthetic judgment proposes that beauty is both objective (based on universal principles) and subjective (influenced by individual taste and experience).

Kant's notion of 'disinterestedness' encompasses the absence of personal bias, emotional involvement, and practical considerations in aesthetic judgment, allowing for a more objective evaluation of beauty.

The Functionalist Approach is typically not associated with aesthetics and judgment, as it focuses on the practical or utilitarian aspects of objects rather than their beauty or artistic value.

The Formalist Approach focuses on the inherent qualities of the artwork, such as its form, composition, and style, rather than external factors like emotional content or historical context.

The Expressionist Approach focuses on the emotional and expressive qualities of the artwork, emphasizing the artist's subjective experiences and intentions.

The Historicist Approach examines the artwork in relation to its historical and cultural context, considering factors such as the artist's background, the prevailing artistic conventions, and the social and political climate.

Judgments of functionality are typically not considered aesthetic judgments, as they focus on the practical or utilitarian aspects of an object rather than its beauty or artistic value.

The concept of 'sublimity' in aesthetics describes the overwhelming emotions of awe and reverence experienced when encountering something vast, powerful, or awe-inspiring.

While sublimity can evoke a range of emotions, it is typically not associated with feelings of pleasure and enjoyment, which are more commonly associated with the experience of beauty.

The concept of 'aesthetic distance' describes the emotional and psychological detachment that allows the observer to appreciate the artwork objectively, without being overly influenced by personal emotions or biases.

Objective criteria such as harmony and balance are typically not considered factors that influence aesthetic judgments, as they are inherent qualities of the artwork itself rather than external influences.