Rite of Spring, choreographed by Vaslav Nijinsky, is a groundbreaking modern dance piece that premiered in 1913. It is renowned for its primal and energetic movements, which depict the struggle between man and nature.

Lamentation, choreographed by Martha Graham in 1930, is a powerful expression of grief and mourning in response to the horrors of the Spanish Civil War.

Suite for Five, choreographed by Merce Cunningham in 1958, is a groundbreaking work that employs chance operations to determine the order of movements and sections, resulting in a unique and unpredictable performance each time.

Revelations, choreographed by Alvin Ailey in 1960, is a beloved modern dance piece that pays homage to the African-American experience, incorporating spirituals, gospel music, and traditional African dance movements.

Push Comes to Shove, choreographed by Twyla Tharp in 1976, is a vibrant and dynamic modern dance piece that showcases Tharp's signature style of athleticism and intricate footwork.

In the Middle Somewhat Elevated, choreographed by William Forsythe in 1987, delves into the concept of space, using innovative staging and movement to create a sense of disorientation and altered perceptions.

Desh, choreographed by Akram Khan in 2011, is a powerful and evocative modern dance piece that blends Kathak, a classical Indian dance form, with contemporary dance techniques, exploring themes of migration and displacement.

Political Mother, choreographed by Hofesh Shechter in 2011, is a visceral and politically charged modern dance piece inspired by the Occupy Wall Street movement, addressing issues of social inequality and economic injustice.

Grace Engine, choreographed by Crystal Pite in 2017, is a thought-provoking modern dance piece that investigates the relationship between humans and artificial intelligence, blurring the lines between the two.

Noetic, choreographed by Sidi Larbi Cherkaoui in 2014, is a visually stunning modern dance piece created in collaboration with visual artist Antony Gormley, exploring the relationship between the body and the mind.

Chroma, choreographed by Wayne McGregor in 2006, is a visually captivating modern dance piece that incorporates cutting-edge technology, including digital projections and motion capture, to create a multisensory experience.

OCD Love, choreographed by Sharon Eyal and Gai Behar in 2012, is a mesmerizing modern dance piece characterized by its hypnotic and repetitive movements, exploring themes of obsession and compulsion.

Vortex Temporum, choreographed by Anne Teresa De Keersmaeker in 2013, is a complex and visually stunning modern dance piece that delves into the world of geometry and mathematical patterns, creating a mesmerizing and thought-provoking experience.

In-I, choreographed by Akram Khan and Sidi Larbi Cherkaoui in 2014, is a powerful and spiritual modern dance piece inspired by the teachings of the Sufi mystic Rumi, exploring themes of love, unity, and the interconnectedness of all beings.

One Flat Thing, Reproduced, choreographed by William Forsythe in 2000, is an interactive and experimental modern dance piece that involves audience participation, blurring the lines between performer and spectator.