Chord voicing refers to the specific arrangement of notes that make up a chord, determining its overall sound and character.

In a triad, the interval between the root and the middle note is typically a major third.

Closed voicing refers to a chord voicing where the notes are placed close together, resulting in a rich and full sound.

Arpeggiated voicing involves playing the notes of a chord in a sequential manner, either ascending or descending.

Sus voicing (short for suspended voicing) is a chord voicing where one of the chord tones is replaced with a note that creates a sense of tension and anticipation.

Root position voicing is a chord voicing where the root note is placed in the bass register, followed by the other chord tones.

Shell voicing is a chord voicing where only the root, third, and seventh (if applicable) are played, leaving out the fifth.

First inversion voicing is a chord voicing where the fifth is placed in the bass register, followed by the root and the third.

Spread voicing refers to a chord voicing where the notes are placed far apart, creating a sense of movement and energy.

Second inversion voicing is a chord voicing where the third is placed in the bass register, followed by the fifth and the root.

Block voicing is a chord voicing where the notes are placed close together, creating a solid and compact sound.

Third inversion voicing is a chord voicing where the seventh is placed in the bass register, followed by the root, the third, and the fifth.

Open voicing refers to a chord voicing where the notes are placed far apart, creating a sense of openness and clarity.

Omitted voicing is a chord voicing where one of the chord tones is omitted, creating a unique and interesting sound.

Power voicing is a chord voicing where the root, fifth, and octave are played together, creating a strong and powerful sound.