Futurism, an avant-garde movement founded in Italy in the early 1900s, aimed to break away from traditional artistic conventions and embrace the dynamism and energy of modern life. Futurist artists experimented with integrating music, visual art, and performance, creating immersive and multisensory experiences.

Wassily Kandinsky, a Russian painter and art theorist, is widely regarded as a pioneer of abstract art. He sought to create a visual language that could convey emotions and spiritual experiences, often drawing inspiration from music. Kandinsky's paintings are characterized by vibrant colors, geometric shapes, and a sense of movement, reflecting his belief that music and visual art shared a common essence.

Visual music refers to the artistic practice of translating music into visual forms. It involves creating abstract shapes, colors, and lines that correspond to the sounds, rhythms, and textures of music. Visual music can be static or dynamic, and it often aims to evoke emotions and sensations similar to those experienced while listening to music.

Richard Wagner, a German composer, is renowned for his concept of 'Gesamtkunstwerk', which translates to 'total work of art'. Wagner believed that music, drama, poetry, and visual elements should be seamlessly integrated to create a unified and immersive artistic experience. His operas, such as 'Der Ring des Nibelungen', exemplify this approach, combining powerful music with elaborate stage designs, costumes, and lighting.

Program music is a musical composition that is inspired by or directly based on a work of visual art, a story, or a specific event. It aims to evoke emotions and imagery associated with the non-musical source material. Program music often includes descriptive titles, programmatic elements, and musical motifs that correspond to specific aspects of the visual or literary work.

Fluxus was an international art movement that emerged in the 1960s and 1970s. It sought to break down traditional boundaries between art forms and disciplines, embracing a wide range of media and practices. Fluxus artists often combined music, performance art, visual elements, and everyday objects to create immersive and multisensory experiences that challenged conventional notions of art.

Program art is a visual artwork that is created in response to a musical composition. It aims to capture the emotions, imagery, and narrative elements of the music through visual means. Program art can include paintings, sculptures, drawings, and other forms of visual expression that are inspired by and directly related to a specific musical piece.

Karlheinz Stockhausen, a German composer, was a pioneer in the use of electronic music and visual projections in live performances. He sought to create immersive and multisensory experiences that transcended traditional concert formats. Stockhausen's works often involved complex electronic soundscapes, spatialization techniques, and synchronized visual projections, creating a dynamic and engaging environment for the audience.

A film score is a musical composition that is specifically created to accompany a film or other visual media. It aims to enhance the emotional impact of the visuals and support the narrative or thematic elements of the film. Film scores often include a variety of musical styles, motifs, and sound effects to create a cohesive and immersive experience for the viewer.

Abstract Expressionism was an art movement that emerged in the 1950s and 1960s, characterized by its focus on emotional expression and spontaneity. Abstract Expressionist artists often explored the relationship between music and visual art through improvisation and the use of abstract forms and colors. They sought to create visual experiences that evoked emotions and sensations similar to those experienced while listening to music.

Collaborative art is a visual artwork that is created in collaboration between a musician and a visual artist. It involves the merging of their unique artistic perspectives and skills to create a cohesive and unified artwork. Collaborative art can take various forms, such as paintings, sculptures, installations, and performances, and it often explores the relationship between music and visual art in innovative and thought-provoking ways.

John Cage, an American composer, was a pioneer in the use of aleatoric music, where elements of chance and improvisation are incorporated into the composition. Cage sought to break away from traditional notions of musical structure and form, embracing indeterminacy and spontaneity. His works often involved the use of unconventional instruments, everyday objects, and non-traditional musical techniques, blurring the boundaries between music and other art forms.

Ballet music is a musical composition that is specifically created for a dance performance. It aims to enhance the emotional impact of the dance and support the narrative or thematic elements of the performance. Ballet music often includes a variety of musical styles, motifs, and rhythms to create a cohesive and immersive experience for the audience.

Symbolism, an art movement that emerged in the late 19th and early 20th centuries, sought to merge music, visual art, and literature in a Gesamtkunstwerk, or 'total work of art'. Symbolist artists believed that art should transcend the physical world and evoke deeper emotional and spiritual experiences. They often used symbolic imagery, allegory, and musical elements to create immersive and multisensory environments.

Sound art is a visual artwork that is created using sound waves or other sonic elements. It involves the exploration of the relationship between sound and visual perception, often through the use of technology and innovative artistic techniques. Sound art can take various forms, such as sculptures, installations, performances, and digital media, and it aims to engage the audience's senses and create immersive and thought-provoking experiences.