Humanism was a cultural movement that emphasized the study of classical literature and philosophy, as well as the importance of individual expression and creativity.

Humanism had a profound influence on the development of Renaissance music, leading to a renewed interest in ancient Greek and Roman music, a greater emphasis on expressiveness and emotion, and the use of vernacular languages in music.

Wolfgang Amadeus Mozart was a prominent composer of the Classical period, not the Renaissance period.

Madrigals, motets, and masses were all popular forms of polyphonic vocal music during the Renaissance period.

The violin was not commonly used in Renaissance music, as it was not developed until the 16th century.

Mannerism was a musical style that emerged in the late Renaissance period, characterized by its use of dissonance, chromaticism, and word painting.

Claudio Monteverdi, Giovanni Gabrieli, and Carlo Gesualdo were all leading figures in the development of Mannerism.

Baroque was a musical style that emerged in the early 17th century, characterized by its use of continuo, terraced dynamics, and contrasting sections.

Johann Sebastian Bach, George Frideric Handel, and Antonio Vivaldi were all leading figures in the development of Baroque music.

Classical was a musical style that emerged in the late 18th century, characterized by its use of Classical forms, balanced melodies, and clear textures.

Wolfgang Amadeus Mozart, Joseph Haydn, and Ludwig van Beethoven were all leading figures in the development of Classical music.

Romantic was a musical style that emerged in the early 19th century, characterized by its use of emotional expression, chromaticism, and programmatic music.

Franz Schubert, Robert Schumann, and Frederic Chopin were all leading figures in the development of Romantic music.

Modernist was a musical style that emerged in the late 19th century, characterized by its use of atonality, polytonality, and extended techniques.

Arnold Schoenberg, Igor Stravinsky, and Karlheinz Stockhausen were all leading figures in the development of Modernist music.