In Indian literature, music is frequently associated with hope and optimism, representing the belief in a better future and the power of overcoming challenges.

In Chitra Banerjee Divakaruni's 'The Palace of Illusions', the protagonist Draupadi finds solace and hope in music, using it as a means of self-expression and resilience.

In Indian classical music, a 'raga' refers to a melodic pattern or scale that forms the basis of a musical composition, often evoking specific emotions and moods.

Rabindranath Tagore, a Nobel laureate, is renowned for integrating traditional folk music and songs into his literary creations, particularly in his poetry and plays.

Music in Indian literature is frequently employed to convey emotional experiences, ranging from joy and love to sorrow and despair, allowing readers to connect with the characters' inner worlds.

Amitav Ghosh's 'The Hungry Tide' delves into the transformative power of music, particularly Indian classical music, in healing emotional wounds and bridging cultural divides.

Music in Indian literature can symbolize cultural diversity, reflecting the rich tapestry of traditions, languages, and musical styles that coexist within the country.

Jhumpa Lahiri's works often explore the theme of identity and belonging, using music as a metaphor to convey the complexities of navigating different cultures and finding one's place in the world.

Music in Indian literature serves multiple purposes, including expressing cultural pride, promoting social change, and preserving traditional values, reflecting the diverse roles it plays in Indian society.

Jhumpa Lahiri's 'The Namesake' follows the journey of Gogol Ganguli, who finds solace and strength in music as he navigates personal and societal challenges, including cultural identity and familial expectations.

Music in Indian literature can be used to create a sense of nostalgia, evoke a sense of place, and convey historical events, demonstrating its versatility in storytelling.

Amitav Ghosh's works often incorporate elements of Indian classical music, particularly in his novels 'The Shadow Lines' and 'The Hungry Tide', exploring the intersections of music, history, and cultural identity.

Music in Indian literature serves multiple purposes, including enhancing the narrative, developing characterization, and creating emotional resonance, contributing to the overall impact and depth of the literary work.

In Chitra Banerjee Divakaruni's 'The Palace of Illusions', the protagonist Draupadi uses music to connect with her cultural roots and assert her identity in a patriarchal society.

Music in Indian literature encompasses multiple roles, including symbolizing hope and resilience, reflecting cultural diversity, and serving as a means of personal expression, highlighting its significance in Indian society and literature.