Satyajit Ray is often credited with introducing Neorealism to Indian cinema through his films, such as "Pather Panchali" (1955) and "Aparajito" (1956), which depicted the lives of impoverished villagers in West Bengal.

Neorealist films typically focus on the daily lives and struggles of ordinary people, often from the working class or marginalized communities, and explore social issues such as poverty, inequality, and injustice.

Satyajit Ray's "Pather Panchali" (1955) is widely regarded as a landmark film in Indian cinema and a pioneering example of Neorealism. It follows the impoverished lives of a family of priests in rural Bengal.

Neorealism brought a shift towards a more realistic and authentic depiction of poverty in Indian cinema. Filmmakers aimed to capture the lived experiences of the poor, often using non-professional actors and shooting on location.

Bimal Roy's Neorealist trilogy, comprising "Do Bigha Zamin", "Mother India", and "Gunga Jumna", explored the struggles of rural farmers and the impact of poverty on their lives.

Neorealist films often tackle social issues such as poverty, inequality, and the struggles faced by the working class, aiming to shed light on their plight and raise awareness about their living conditions.

Danny Boyle, a British filmmaker, directed "Slumdog Millionaire" (2008), which depicted the lives of贫民窟 children in Mumbai. Although not an Indian filmmaker, Boyle's film is often cited as an example of Neorealism in Indian cinema.

Neorealism brought a shift towards a more naturalistic and observational approach to cinematography and editing. Filmmakers often employed long takes, deep focus cinematography, and minimal editing to create a sense of realism and authenticity.

Ritwik Ghatak is known for his Neorealist films set in rural Bengal, which explored themes of poverty, social injustice, and the partition of India.

Neorealist filmmakers often cast non-professional actors and shot on location to create a more authentic and realistic portrayal of everyday life and social issues.

Mrinal Sen is known for his Neorealist films set in the slums of Calcutta, which explored themes of poverty, unemployment, and social inequality.

Neorealist films typically employ linear narratives and a chronological structure to maintain a sense of realism and authenticity. They often follow the daily lives of their characters and focus on the gradual unfolding of events.

Adoor Gopalakrishnan is known for his Neorealist films set in the rural areas of Kerala, which explored themes of poverty, social inequality, and the changing landscape of rural India.

Neorealist films set in urban environments often explore the plight of the working class, the challenges they face due to industrialization, and the social and economic inequalities that exist in urban societies.

Shyam Benegal is known for his Neorealist films set in the slums of Delhi, which explored themes of poverty, unemployment, and the struggles of the working class.