Amir Khusrau is widely regarded as the father of Indo-Persian literary criticism. He was a 13th-century poet, musician, and scholar who wrote extensively about the nature of poetry and the role of the critic.

The Poetics of Aristotle is a work of ancient Greek literary criticism, while the other three are works of Indo-Persian literary criticism.

Anandavardhana's Rasa Theory is based on the idea that the primary goal of poetry is to evoke emotions in the reader. He identified nine rasas, or emotions, that can be conveyed through poetry.

Adbhuta is not a rasa identified by Anandavardhana. The other three are all rasas that he discussed in his work.

Abul Fazl believed that the main purpose of literary criticism is to judge the quality of a work of literature. He argued that critics should use objective criteria to evaluate a work's merits and demerits.

Abul Fazl did not consider the author's reputation to be a valid criterion for judging the quality of a work of literature. He believed that critics should focus on the work itself, rather than on the author's personal life or reputation.

Indo-Persian literary criticism introduced a number of new critical concepts and theories to the field of literary criticism, such as the Rasa Theory and the concept of the ideal reader. These concepts have had a profound impact on the development of literary criticism as a whole.

Indo-Persian literary criticism had a significant impact on the development of literary criticism in other parts of the world. It led to the development of new critical schools and movements, helped to spread the study of literature to other parts of the world, inspired the development of new literary genres, and led to the establishment of new literary institutions.

Raja Ram Mohan Roy was a Bengali social reformer and religious leader. He is not considered to be a major figure in the history of Indo-Persian literary criticism.

One of the main differences between Indo-Persian literary criticism and Western literary criticism is that Indo-Persian literary criticism is more focused on the emotional impact of a work of literature, while Western literary criticism is more focused on the intellectual content of a work of literature.

Indo-Persian literary criticism is more focused on the emotional impact of a work of literature than on its intellectual content. This is one of the main differences between Indo-Persian literary criticism and Western literary criticism.

Alliteration is not a type of figurative language that is commonly used in Indo-Persian poetry. Metaphor, simile, and personification are all common types of figurative language that are used in Indo-Persian poetry.

Politics is not a major theme in Indo-Persian poetry. Love, nature, and religion are all major themes in Indo-Persian poetry.

Rubai is not a major form of Indo-Persian poetry. Ghazal, Qasida, and Masnavi are all major forms of Indo-Persian poetry.