John Williams is widely regarded as one of the greatest film composers of all time, having composed over 100 film scores throughout his career.

Film scoring is the process of creating and adapting music to accompany the visual elements of a film, enhancing the emotional impact and narrative of the story.

Bernard Herrmann's score for "Psycho" (1960) is considered a masterpiece of film music, using screeching strings and electronic sounds to create a sense of psychological horror.

John Williams composed the iconic score for the "Star Wars" film series, creating one of the most recognizable and beloved themes in cinematic history.

Ennio Morricone is an Italian composer known for his iconic scores for spaghetti westerns, as well as other genres of film.

Underscoring is the use of music to create a specific mood or atmosphere in a film, often used to enhance the emotional impact of a scene.

Michael Nyman's score for "The Piano" (1993) features minimalist piano music that reflects the emotional journey of the protagonist.

Howard Shore composed the score for the "Lord of the Rings" film trilogy, creating a memorable and iconic musical landscape.

John Williams' score for "Memoirs of a Geisha" (2005) incorporates traditional Japanese instruments, such as the koto and shamisen, to create a unique and evocative soundscape.

Leitmotif is a musical theme that is associated with a particular character, object, or idea in a film, often used to reinforce the narrative and emotional impact.

Bernard Herrmann's score for "The Day the Earth Stood Still" (1951) features the use of a theremin, an electronic instrument that creates a unique and eerie sound.

John Williams composed the score for the "Harry Potter" film series, creating a memorable and magical musical landscape.

Hans Zimmer's score for "Gladiator" (2000) features a choir, which adds to the epic and sweeping nature of the film.

Sound design is the process of creating and manipulating sound effects to create a realistic and immersive experience in a film.

Jonny Greenwood's score for "There Will Be Blood" (2007) features a minimalist approach, with sparse instrumentation and long silences, creating a sense of unease and tension.