Dance critics are responsible for providing informed analysis and evaluation of dance performances, helping audiences understand and appreciate the art form.

Dance criticism plays a multifaceted role in shaping the development of dance as an art form by establishing a canon of great works, providing a platform for choreographers, and encouraging innovation and experimentation.

Dance critics evaluate dance performances based on a combination of factors, including the technical skill of the dancers, the originality and creativity of the choreography, and the overall impact of the performance on the audience.

Dance criticism can enhance audience appreciation of dance by providing context and background information, helping audiences understand the artistic intent of the choreographer, and offering different perspectives on the performance.

Dance critics face a number of challenges in their work, including the subjectivity of dance criticism, the lack of formal training in dance criticism, and the pressure to write quickly and meet deadlines.

Dance critics can improve the quality of their work by receiving formal training in dance criticism, attending dance performances regularly, and reading widely about dance.

Dance criticism and dance history are two distinct fields, although they are closely related. Dance criticism focuses on the evaluation of contemporary dance performances, while dance history focuses on the study of dance over time.

Dance criticism can contribute to the preservation of dance heritage by documenting dance performances, providing insights into the historical context of dance works, and helping to establish a canon of great works.

Dance critics should keep in mind a number of ethical considerations when writing about dance, including avoiding making personal attacks on choreographers or dancers, being fair and objective in their evaluations, and respecting the privacy of dancers and choreographers.

Dance criticism can help to promote diversity and inclusion in dance by highlighting the work of choreographers and dancers from diverse backgrounds, challenging stereotypes about dance, and encouraging dance companies to produce works that are inclusive of different cultures and identities.

Dance criticism will continue to play an important role in shaping the art form, as it provides a valuable perspective on dance performances and helps audiences understand and appreciate dance more fully.

Dance critics can use technology to enhance their work by using social media to connect with audiences, creating interactive online content about dance, and using technology to document dance performances.

John Martin, Clive Barnes, and Anna Kisselgoff are all considered to be among the most influential dance critics of all time.

Dance Magazine, The New York Times, and The Guardian are all considered to be among the most important dance criticism journals.

Dance critics often make criticisms about the originality of the choreography, the technical proficiency of the dancers, and the length of the performance.