Thelma & Louise, released in 1991, is often hailed as a groundbreaking feminist film for its portrayal of two women who break free from societal constraints and embark on a journey of self-discovery and empowerment.

The male gaze is a complex concept that encompasses the ways in which films are made by and for men, objectify and sexualize women, and reinforce traditional gender roles. It is a critical lens through which feminist film theorists analyze and critique the representation of gender in cinema.

Agnès Varda, Jane Campion, and Chantal Akerman are all renowned feminist filmmakers who have made significant contributions to the field of feminist cinema. Their films explore diverse aspects of female experience, challenging traditional gender roles and stereotypes.

The Bechdel Test is a simple but effective way to assess gender representation in films. It asks whether a film features at least two women talking to each other about something other than a man. The test has been used to highlight the lack of meaningful representation of women in many films.

Women's Cinema, also known as Feminist Film, emerged in the 1960s and 1970s as a response to the lack of representation and stereotypical portrayal of women in mainstream cinema. This movement aimed to create films that centered on female experiences and challenged traditional gender roles.

The Damsel in Distress Trope is a common trope in film and literature where a female character is portrayed as helpless and in need of rescue by a male character. This trope reinforces traditional gender roles and perpetuates the idea that women are weak and dependent on men.

Agnès Varda is a pioneering French New Wave filmmaker who has consistently explored themes of gender and sexuality in her work. Her films often challenge traditional gender roles and offer nuanced portrayals of female characters.

The objectification of women refers to the portrayal of women in film and media as objects of sexual desire, rather than as fully realized characters with their own agency and subjectivity. This objectification reinforces harmful stereotypes and perpetuates gender inequality.

Transamerica is a 2005 American comedy-drama film that tells the story of a transgender woman, Bree, who travels to New York City to meet her son, Toby, for the first time. The film explores the complex relationship between Bree and Toby as they navigate their newfound connection and the challenges of their respective identities.

The Alpha Male Trope is a common trope in film and literature where a male character is portrayed as dominant, aggressive, and in control. This trope reinforces traditional gender roles and perpetuates the idea that men are naturally leaders and protectors.

Rosie the Riveter is a 1943 American propaganda film that tells the story of a young woman who leaves her small town to work in a munitions factory during World War II. The film celebrates the contributions of women to the war effort and challenges traditional gender roles.

Rakhshan Bani-Etemad is a pioneering Iranian New Wave filmmaker who has consistently explored themes of gender and social issues in her work. Her films often challenge traditional gender roles and offer nuanced portrayals of female characters.

The Strong Female Character is a term used to describe the representation of women in film and media as strong, independent, and capable. This type of character challenges traditional gender roles and offers positive role models for women and girls.

Sleeping with the Enemy is a 1991 American psychological thriller film that tells the story of a young woman, Laura, who escapes from her abusive husband and assumes a new identity. The film explores the complex relationship between Laura and her husband, as well as the challenges she faces as she tries to rebuild her life.

Lars von Trier is a pioneering Danish filmmaker who is known for his work in the Dogme 95 movement. His films often explore themes of gender and sexuality, and he has been praised for his complex and nuanced portrayals of female characters.