Intentionalism emphasizes the author's role in shaping the meaning of their work through their conscious choices and intentions.

The New Critics believed that the meaning of a literary work resides within the text itself, independent of the author's intentions or the reader's subjective interpretations.

Reader-Response Criticism foregrounds the reader's active role in constructing meaning from a literary work, emphasizing the subjective and personal nature of interpretation.

Roland Barthes, in his essay 'The Death of the Author,' argued that the author's role in determining the meaning of a literary work is overstated, and that the text itself takes on a life of its own, open to multiple interpretations.

Romanticism, particularly in the 19th century, elevated the author as a creative genius, often seen as a visionary or prophetic figure with unique insights into the human condition.

The implied author is the persona or voice that emerges from the literary work itself, distinct from the actual author's personal life and intentions.

Marxist Criticism examines the ways in which literature reflects and shapes social and economic structures, often highlighting the author's role in perpetuating or challenging these structures.

Intentionalism places great emphasis on the author's conscious intentions and purpose in creating a literary work, considering these intentions as crucial for understanding the work's meaning.

Realism, particularly in the 19th century, sought to depict life and society as accurately and objectively as possible, often portraying the author as a detached observer.

Michel Foucault, in his work 'What is an Author?,' introduced the concept of 'author function,' which examines the ways in which authors are constructed and legitimized within cultural and historical contexts.

Modernism, particularly in the early 20th century, sought to break away from traditional literary forms and conventions, often experimenting with new techniques and styles.

Authorial voice refers to the distinctive style, tone, and perspective that an author employs in their writing, creating a unique voice within the literary work.

Modernism, particularly in the early 20th century, often delved into the complexities of the human mind and consciousness, exploring psychological and emotional states.

Authorial presence refers to the extent to which readers perceive the author's presence or influence within the literary work, often shaping their interpretation of the text.

Deconstruction, particularly associated with Jacques Derrida, seeks to expose and critique the underlying assumptions, values, and power structures embedded in literary texts.