Hamartia refers to the tragic hero's fatal flaw or error in judgment that sets in motion the chain of events leading to their downfall.

Comic relief is typically not a characteristic of a tragic hero, as tragedy is a genre that focuses on serious and somber themes.

Anagnorisis refers to the moment of recognition or realization when the tragic hero gains insight into their own actions and the consequences of their choices.

Exposition is not a stage in the tragic hero's journey as outlined by Aristotle. The stages are typically considered to be: Prologue, Parodos, Episode, Stasimon, and Exodus.

Peripeteia refers to the sudden reversal of fortune or change in circumstances that occurs in the tragic hero's journey.

Happy endings are typically not a common theme explored in tragic plays, as tragedy is a genre that focuses on serious and somber themes.

Catharsis refers to the emotional release or purification that the audience experiences after witnessing a tragedy.

Romeo is not a tragic hero from Greek mythology. He is a character from Shakespeare's play Romeo and Juliet.

Hubris refers to the excessive pride or arrogance that often leads to the downfall of the tragic hero.

Happy endings are typically not a common element of a tragic play, as tragedy is a genre that focuses on serious and somber themes.

Anagnorisis refers to the tragic hero's realization of their own mortality and the futility of their struggle against fate.

Good fortune is typically not a common characteristic of a tragic hero's downfall, as tragedy is a genre that focuses on serious and somber themes.

Climax refers to the moment of highest tension or conflict in a tragedy.

The pursuit of happiness is typically not a common theme explored in tragic plays, as tragedy is a genre that focuses on serious and somber themes.

Resolution refers to the final outcome or resolution of a tragedy.