Deepa Mehta's 1996 film "Fire" sparked controversy in the West due to its depiction of a lesbian relationship between two women, one of whom is a Hindu priestess. The film was criticized by some Hindu groups for its portrayal of Shiva as a woman, which they deemed disrespectful to their religious beliefs.

Ashutosh Gowariker's 2001 film "Lagaan" faced criticism in the West for its portrayal of the British Raj. Some critics accused the film of glorifying the British colonial rule and downplaying the struggles of the Indian people under British rule.

Anurag Kashyap's 2007 film "Black Friday" was banned in the United Kingdom for its alleged glorification of terrorism. The film, which depicts the 1993 Mumbai bombings, was criticized by some British authorities for its sympathetic portrayal of the terrorists involved in the attacks.

Karan Johar's 2013 anthology film "Bombay Talkies" faced criticism in the Western media for its portrayal of women. Some critics argued that the film perpetuated regressive gender stereotypes and reinforced patriarchal norms, particularly in its depiction of female characters.

Ashutosh Gowariker's 2008 historical drama "Jodha Akbar" was criticized by some for its alleged whitewashing of Indian history. The film, which depicts the marriage between Mughal emperor Akbar and Rajput princess Jodha Bai, was accused of portraying Akbar in a more favorable light than historical accounts suggest, while downplaying the struggles faced by the Rajput community under Mughal rule.

Rajkumar Hirani's 2015 satirical comedy "PK" faced criticism in the West for its depiction of religious extremism. The film, which follows an alien who comes to Earth and questions various religious practices, was accused of being disrespectful towards Hinduism and other religions.

Piyush Jha's 2001 film "American Desi" faced criticism for its portrayal of the Indian diaspora in the United States. The film, which follows two Indian-American brothers as they navigate their lives in New Jersey, was accused of perpetuating stereotypes and presenting an inaccurate representation of the Indian-American experience.

Sanjay Leela Bhansali's 2018 historical drama "Padmaavat" faced criticism in the Western media for its portrayal of women. Some critics argued that the film objectified women and perpetuated regressive gender stereotypes, particularly in its depiction of the female protagonist Padmavati.

Vivek Agnihotri's 2022 film "The Kashmir Files" faced criticism for its alleged promotion of Hindu nationalism and glorification of violence against Muslims. The film, which depicts the exodus of Kashmiri Pandits from the Kashmir Valley in the 1990s, was accused of presenting a biased and one-sided narrative that demonized Muslims and stoked communal tensions.

S. S. Rajamouli's 2022 action epic "RRR" faced criticism in the Western media for its excessive length. The film, which clocks in at over three hours, was accused of being too long and lacking a cohesive narrative structure. Some critics argued that the film's runtime detracted from its overall impact and made it difficult for Western audiences to engage with the story.

A. R. Murugadoss's 2008 action thriller "Ghajini" faced accusations of plagiarizing its story from the 2000 Hollywood film "Memento". Both films follow a protagonist who suffers from anterograde amnesia and must use various methods to remember important information. The similarities between the two films led to allegations that "Ghajini" was a copy of "Memento".

Aditya Chopra's 2016 romantic drama "Befikre" faced criticism in the Western media for its excessive use of profanity. The film, which follows a young couple as they navigate their relationship in Paris, was accused of being overly reliant on profanity and lacking substance. Some critics argued that the film's excessive use of swear words detracted from its overall impact and made it difficult for audiences to connect with the characters.

Anubhav Sinha's 2019 crime drama "Article 15" faced criticism for its portrayal of the Indian caste system. The film, which follows a police officer investigating a series of murders in a village, was accused of simplifying the complex issue of caste discrimination and presenting a superficial and incomplete representation of the problem.

Sharan Sharma's 2020 biographical drama "Gunjan Saxena: The Kargil Girl" faced criticism in the Western media for its historical inaccuracies. The film, which depicts the story of India's first female combat pilot, Gunjan Saxena, was accused of taking creative liberties with historical facts and presenting a romanticized and inaccurate portrayal of the Kargil War.