While nostalgia, assimilation, and intergenerational conflict are frequently explored in Indian diaspora films, political activism is less common.

Bollywood is a term used to refer to the Hindi-language film industry based in Mumbai, India.

Salaam Bombay! (1988), directed by Mira Nair, is often regarded as a seminal work in diaspora cinema.

Cultural preservation refers to the efforts made by diaspora communities to maintain and transmit their cultural heritage in their new countries.

While Indian cinema has played a role in providing a sense of community, preserving cultural heritage, and challenging stereotypes, it has not generally been seen as promoting cultural assimilation.

The Namesake (2006), based on the novel by Jhumpa Lahiri, explores the theme of intergenerational conflict between Indian immigrants and their American-born children.

Little Zizou (2009) tells the story of a young undocumented Indian immigrant in New York City.

American Chai (2001) tells the story of an Indian immigrant who opens a tea shop in New York City and struggles to balance his traditional values with his new American lifestyle.

Monsoon Wedding (2001) explores the challenges faced by Indian women in Western societies through the story of a young woman's arranged marriage.

My Name Is Khan (2010) tells the story of an Indian Muslim man who immigrates to the United States and faces discrimination and prejudice after the 9/11 attacks.

Bend It Like Beckham (2002) tells the story of a young Indian woman in the UK who struggles to balance her passion for football with her traditional family values.

Little Zizou (2009) tells the story of a young undocumented Indian immigrant in New York City.

Little Zizou (2009) tells the story of a young undocumented Indian immigrant in New York City.

Little Zizou (2009) tells the story of a young undocumented Indian immigrant in New York City.

Little Zizou (2009) tells the story of a young undocumented Indian immigrant in New York City.