The interval between C and E is a Major Third because it spans three whole tones.

The Minor Second is the smallest interval, spanning only one half tone.

The interval between G and D is a Perfect Fifth because it spans seven half tones.

The Minor Seventh is considered dissonant due to its wide span and clashing overtones.

The interval between F and A is a Perfect Fourth because it spans five whole tones.

The Perfect Fifth is commonly used in cadences due to its strong and stable sound.

The interval between B and F# is a Tritone, also known as an augmented fourth or diminished fifth.

The Major Second is considered consonant due to its harmonious and pleasing sound.

The interval between D and B is a Major Sixth because it spans nine half tones.

The Minor Seventh is commonly used in jazz and blues music due to its expressive and emotional qualities.

The interval between A and E is a Major Seventh because it spans eleven half tones.

The Perfect Fourth is considered perfect due to its harmonious and stable sound.

The interval between C# and G# is a Tritone, also known as an augmented fourth or diminished fifth.

The Perfect Fifth is commonly used in classical music due to its strong and stable sound.

The interval between Eb and Bb is a Minor Seventh because it spans ten half tones.