While caste can impact the production, distribution, and reception of Indian films, global recognition and appreciation of these films are not directly influenced by caste dynamics.

Caste-based discrimination in the Indian film industry manifests in various ways, including stereotypical portrayals, limited opportunities for marginalized castes, and the neglect of their stories and experiences.

Article 15 is a 2019 Indian film that confronts caste-based discrimination and police brutality in rural India, highlighting the struggles faced by marginalized communities.

Streaming platforms have revolutionized the distribution of Indian films, making them more accessible to global audiences, encouraging diverse content creation, and reducing reliance on traditional distribution channels.

Indian filmmakers who tackle caste issues in their films often face resistance from dominant caste groups, lack of support from funding bodies and distributors, and limited access to resources and infrastructure.

Censoring films that depict caste-based violence or discrimination is not an effective way to promote social equality and challenge caste-based discrimination, as it stifles freedom of expression and prevents important conversations from taking place.

Caste-based biases and discrimination can impact the distribution and exhibition of Indian films globally, affecting film selection for international festivals, access to distribution networks, and marketing and promotion strategies.

Masaan, Sairat, and Ankhon Dekhi are all critically acclaimed Indian films that delve into the complexities of caste identity and its impact on individuals, exploring themes of love, loss, and social change.

To create more inclusive and representative content, the Indian film industry can provide training and resources on caste issues, encourage collaborations between filmmakers from different caste backgrounds, and promote diversity in film crews and production teams.

While caste-based stereotypes, limited understanding, and biases can influence the reception of Indian films, caste-based discrimination primarily affects access to films within India, not necessarily limiting access for global audiences.

The Indian film industry's global reach has contributed to increased visibility of caste issues, greater awareness and understanding among international audiences, and challenges to traditional caste hierarchies and norms.

Marginalized caste filmmakers often face a combination of challenges, including lack of financial support, limited access to training and education, and discrimination and bias within the industry.

Parched, Lipstick Under My Burkha, and Thappad are all critically acclaimed Indian films that explore the intersection of caste and gender discrimination, highlighting the unique challenges faced by women from marginalized castes.

To foster a more inclusive and equitable environment, the Indian film industry can provide mentorship and support programs, create opportunities for networking and collaboration, and advocate for policy changes to address caste-based discrimination.

Promoting the idea that caste is a natural and unchangeable aspect of society is not a way to challenge caste-based discrimination, as it perpetuates harmful stereotypes and reinforces the caste system.