Anna Pavlova's tutu in "The Dying Swan" captivated audiences with its delicate, flowing design, embodying the儚さ and fragility of the dying swan.

Isadora Duncan's groundbreaking costumes, often flowing tunics or sheer garments, liberated dancers from restrictive corsets and allowed for uninhibited expression.

Carlotta Grisi's costume in "Giselle" featured a white tutu with delicate floral accents, embodying the ghostly beauty of the Wilis, spirits of betrayed brides.

The Traje de Flamenca is the iconic costume of female flamenco dancers, featuring a fitted bodice, flowing skirt, and colorful patterns that enhance the dancer's movements.

Margot Fonteyn's costume in "Swan Lake" showcased a striking transformation from a white tutu, representing the innocent Odette, to a black tutu, embodying the dark and seductive Odile.

The Kimono is the traditional costume worn in Kabuki theater, featuring bold colors, intricate designs, and elaborate accessories, reflecting the characters' personalities and emotions.

Vaslav Nijinsky's costume in "Rite of Spring" featured earthy tones and tribal motifs, breaking away from the traditional white tutus and tights, and sparking controversy at its premiere.

The Bharatanatyam Costume is a vibrant and elaborate attire worn by female dancers, featuring a fitted bodice, flowing skirt, and intricate jewelry, showcasing the dancer's grace and storytelling abilities.

Tamara Karsavina's costume in "The Firebird" featured a vibrant palette of red, orange, and gold, adorned with intricate beading and feathers, embodying the mythical creature's captivating presence.

The Kathakali Costume is an elaborate attire worn by male dancers, featuring vibrant colors, intricate makeup, and an elaborate headdress, symbolizing the characters' emotions and mythological roles.

Vaslav Nijinsky's costume in "Afternoon of a Faun" featured a sheer, flesh-colored tunic, challenging societal norms and sparking controversy for its provocative nature.

The Zapateado is the traditional footwear worn by male flamenco dancers, featuring intricate designs and metal studs, producing rhythmic tapping sounds that enhance the dance's percussive elements.

Alicia Alonso's costume in "Romeo and Juliet" showcased a soft, flowing tutu and delicate floral accents, embodying the innocence and vulnerability of the tragic heroine.

The Bharatanatyam Headpiece is an elaborate and ornate headpiece worn by female dancers, featuring intricate designs and symbolic motifs, representing the dancer's connection to the divine.

Anna Pavlova's costume in "Les Sylphides" featured a long, flowing white tutu and delicate wings, embodying the ethereal and mystical nature of the sylphs, air spirits.