To promote and distribute musical works.

To manage the copyright and licensing of musical works.

To produce and record musical works.

To book live performances for musicians.

A music publisher focuses on the copyright and licensing of musical works, while a record label focuses on the production and distribution of recorded music.

A music publisher represents songwriters and composers, while a record label represents recording artists.

A music publisher is responsible for promoting and marketing musical works, while a record label is responsible for booking live performances.

A music publisher collects royalties on behalf of songwriters and composers, while a record label collects royalties on behalf of recording artists.

Mechanical licenses, synchronization licenses, and print music licenses.

Publishing administration agreements, co-publishing agreements, and joint venture agreements.

Master recording agreements, distribution agreements, and licensing agreements.

Artist management agreements, booking agreements, and promotion agreements.

To collect and distribute royalties to songwriters and composers for the public performance of their works.

To manage the copyright and licensing of musical works.

To produce and distribute musical works.

To book live performances for musicians.

A mechanical royalty is paid for the reproduction of musical works on physical formats, while a performance royalty is paid for the public performance of musical works.

A mechanical royalty is paid to the songwriter and composer, while a performance royalty is paid to the recording artist.

A mechanical royalty is paid to the music publisher, while a performance royalty is paid to the PRO.

A mechanical royalty is paid for the sale of sheet music, while a performance royalty is paid for the use of musical works in audiovisual media.

To inform the public that the work is protected by copyright.

To register the work with the copyright office.

To grant permission to use the work without restriction.

To identify the author of the work.

To negotiate and secure licenses for the use of musical works in audiovisual media.

To collect and distribute royalties to songwriters and composers for the use of their works in audiovisual media.

To produce and distribute musical works for use in audiovisual media.

To manage the copyright and licensing of musical works used in audiovisual media.

A music publisher manages the copyright and licensing of musical works, while a music distributor handles the physical distribution of recorded music.

A music publisher represents songwriters and composers, while a music distributor represents recording artists.

A music publisher collects royalties on behalf of songwriters and composers, while a music distributor collects royalties on behalf of recording artists.

A music publisher is responsible for promoting and marketing musical works, while a music distributor is responsible for booking live performances.

To share the copyright and ownership of a musical work between two or more parties.

To grant exclusive rights to a music publisher to exploit a musical work.

To terminate the rights of a music publisher to a musical work.

To transfer the copyright ownership of a musical work from one party to another.

To collect and distribute royalties to songwriters and composers for the use of their works.

To negotiate and secure licenses for the use of musical works.

To produce and distribute musical works.

To manage the copyright and licensing of musical works.

A publishing administration agreement grants a music publisher the right to administer a musical work, while a co-publishing agreement grants joint ownership of the work.

A publishing administration agreement is typically short-term, while a co-publishing agreement is long-term.

A publishing administration agreement involves a single music publisher, while a co-publishing agreement involves multiple music publishers.

A publishing administration agreement focuses on the exploitation of the work, while a co-publishing agreement focuses on the creation of the work.

To grant permission for the reproduction of a musical work on physical formats.

To grant permission for the public performance of a musical work.

To grant permission for the synchronization of a musical work with audiovisual media.

To grant permission for the distribution of a musical work in digital formats.

A print music license grants permission for the reproduction and distribution of sheet music, while a synchronization license grants permission for the use of a musical work in audiovisual media.

A print music license is typically granted by the songwriter or composer, while a synchronization license is typically granted by the music publisher.

A print music license involves the sale of physical copies of sheet music, while a synchronization license involves the use of music in films, television shows, and other audiovisual productions.

A print music license is typically short-term, while a synchronization license is typically long-term.

To create and implement marketing campaigns for the work.

To distribute the work to radio stations and other media outlets.

To book live performances for the songwriter or composer.

To negotiate and secure licensing deals for the work.