Foley is a technique used in sound design to create realistic sound effects for films, while leitmotif, orchestration, and sound design are all techniques used in film scoring.

A leitmotif is a musical theme or phrase that is associated with a specific character, idea, or object in a film. It is used to create a sense of unity and coherence throughout the score.

Bernard Herrmann was a renowned film composer who was known for his innovative use of leitmotifs in his scores. He is particularly famous for his work on films such as "Psycho" and "Vertigo".

Adaptation is the process of modifying or rearranging existing music to fit the specific needs of a film score. This can involve changing the tempo, key, instrumentation, or overall structure of the music.

The music editor is responsible for selecting and editing the music for the film. This involves choosing the appropriate cues, trimming them to fit the specific scenes, and ensuring that the music flows smoothly throughout the film.

Synthesizers are not as commonly used in film scoring as strings, woodwinds, and brass. However, they can be used to create unique and interesting sounds that are not possible with traditional instruments.

Tracking is the process of recording the music for a film score. This involves recording each instrument or group of instruments separately, and then mixing them together to create the final score.

The conductor is responsible for leading the orchestra during recording sessions. They ensure that the musicians play together in time and in tune, and that the music is performed according to the composer's intentions.

Minimalism is not as common an approach to film scoring as symphonic, electronic, and orchestral. However, it can be used to create effective and powerful scores that are characterized by their simplicity and restraint.

Mixing is the process of combining the music with the other sound elements in a film, such as dialogue, sound effects, and foley. This is done to create a cohesive and balanced soundscape that supports the film's narrative and emotional content.

Live instruments are not as commonly used in electronic film scoring as sampling, synthesizers, and MIDI. However, they can be used to add a more organic and natural feel to the score.

Mastering is the process of preparing the final film score for distribution. This involves making adjustments to the overall volume, EQ, and dynamics of the score, as well as ensuring that it is compatible with various playback formats.

Producing the score is not a common role for a composer in film scoring. This role is typically handled by a music producer, who is responsible for overseeing the entire scoring process, from the initial composition to the final mix.

A score is a piece of music that is specifically composed for a film. It is typically written by a composer and performed by an orchestra or other ensemble.

Instrumentation is not a common element of a film score. It is the process of selecting and arranging the instruments that will be used to perform the score.