Arman, a French artist known for his accumulations, created "Uranium 238" in 1960. The sculpture consists of 120 blocks of depleted uranium, arranged in a cube-like structure.

Maruki Iri created the "Hiroshima Panels" as a powerful artistic response to the devastation caused by the atomic bombings of Hiroshima and Nagasaki. The panels depict the horrors of war and the suffering of the victims.

Olafur Eliasson's work often examines the interplay between nature and technology. His "Ice Watch" installation, which featured melting blocks of ice, addressed the urgency of climate change and the impact of human activities on the environment, including nuclear energy.

Robert Rauschenberg's "Combine" series includes works that incorporate various objects, including nuclear imagery and materials. These works explore the relationship between art and everyday life, challenging traditional notions of artistic materials and techniques.

Anish Kapoor's work often engages with themes of infinity, light, and energy. His "Marsyas" sculpture, which features a giant red sphere suspended in a gallery space, has been interpreted as a symbol of nuclear power and its potential for both destruction and creation.

Jenny Holzer's "Survival" installation consists of electronic signs displaying messages related to nuclear disarmament and the dangers of nuclear weapons. The work was created during the height of the Cold War and addressed the urgent need for nuclear arms control.

Chris Burden's work often explores the limits of the human body and its relationship to technology. His "TV Bed" performance, in which he spent 22 days living in a bed surrounded by television sets, addressed the pervasive presence of media and technology in modern life, including nuclear imagery.

Tatsuo Miyajima's "Sea of Time" installation consists of thousands of LED lights suspended from the ceiling, creating a mesmerizing display that represents the flow of time and the interconnectedness of life. The work has been interpreted as a meditation on the transience of existence and the vastness of the universe, including the power of nuclear energy.

Yayoi Kusama's work often explores themes of infinity, repetition, and self-obliteration. Her "Infinity Mirror Rooms" installations, which feature mirrored rooms filled with lights and reflective surfaces, create an immersive experience that evokes a sense of endlessness and the vastness of the universe, including the immense power of nuclear energy.

Ed Ruscha's "Atomic Test" installation consists of a series of neon signs spelling out the words "Atomic Test". The work was created in response to the nuclear arms race and the threat of nuclear war during the Cold War.

James Turrell's work often explores the perception of light, space, and time. His "Roden Crater" project, an ongoing work in progress, is a large-scale earthwork that incorporates natural light and celestial phenomena to create an immersive experience that invites viewers to contemplate the vastness of time and the universe, including the immense power of nuclear energy.

Damien Hirst's "For the Love of God" installation features a human skull covered in 8,601 diamonds. The work has been interpreted as a commentary on mortality, wealth, and the commodification of art, as well as the immense power and potential dangers of nuclear energy.

Hiroshi Sugimoto's work often explores themes of time, decay, and the transience of existence. His "Seascapes" series, which features long-exposure photographs of the ocean, captures the vastness and power of the natural world, including the immense energy of nuclear reactions.

Jenny Holzer's "Survival" installation consists of electronic signs displaying messages related to nuclear disarmament and the dangers of nuclear weapons. The work was created during the height of the Cold War and addressed the urgent need for nuclear arms control.