A film composer's main responsibility is to create music that complements and elevates the visual narrative of the film, setting the mood, tone, and atmosphere.

Diegetic music is music that originates from within the film's world, such as a character playing a song on the piano or a radio playing in the background. Orchestral, electronic, and non-diegetic music (music that does not originate from within the film's world) are all commonly used in film soundtracks.

Spotting is the process of determining where and how music will be used in a film, scene by scene. It involves selecting specific musical cues and editing them to match the timing and emotional content of the visuals.

The score is the original music composed specifically for a film or television production. It typically consists of instrumental pieces that enhance the film's narrative and emotional impact.

Legato is a musical technique that involves playing notes smoothly and connectedly. It is typically used to create a sense of flow and lyricism, rather than tension or suspense. Ostinato, glissando, and staccato are all techniques that can be used to create tension or suspense in film music.

Mixing is the process of combining and balancing the various elements of a film soundtrack, such as the score, dialogue, sound effects, and music cues. It involves adjusting levels, panning, and equalization to create a cohesive and immersive soundscape.

Writing original music for the film is typically the responsibility of the film composer, not the music supervisor. The music supervisor is responsible for selecting and licensing pre-existing music, collaborating with the composer, and supervising the recording and mixing of the soundtrack.

Foley is the process of adding sound effects to a film or television production. It involves recording and manipulating sounds to create realistic and immersive sound effects that enhance the visual storytelling.

Music is not a type of sound effect. Foley, dialogue, and sound design are all common types of sound effects used in film soundtracks.

Sound design is the process of creating and editing sound effects for a film or television production. It involves manipulating and combining various sounds to create realistic and immersive sound effects that enhance the visual storytelling.

Music is not a type of sound design. Foley, dialogue, and ambience are all common types of sound design used in film soundtracks.

Dialogue editing is the process of creating and editing dialogue for a film or television production. It involves recording, editing, and mixing dialogue tracks to ensure clarity, consistency, and emotional impact.

Foley is the process of adding sound effects to a film or television production. It is not a technique used in dialogue editing. ADR, dubbing, and layering are all common techniques used in dialogue editing to enhance the emotional impact of a scene.

Scoring is the process of adding music to a film or television production. It involves composing, recording, and editing music to enhance the visual storytelling and emotional impact of the film.

Diegetic music is music that originates from within the film's world, such as a character playing a song on the piano or a radio playing in the background. Orchestral, electronic, and non-diegetic music (music that does not originate from within the film's world) are all commonly used in film soundtracks.