Adbhuta is not a rasa, or emotional state, in Indian aesthetics. The nine rasas are Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Vira (heroism), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Shanta (peace).

According to Abhinavagupta, the ultimate goal of rasa is to achieve spiritual liberation. He believed that rasa could lead to a state of heightened consciousness and self-realization.

Vyabhichari vibhava is not a type of vibhava, or stimulus, in Indian aesthetics. The three types of vibhava are alambana vibhava (objective stimulus), uddipana vibhava (subjective stimulus), and anubhava vibhava (consequent stimulus).

Anubhava, or emotional experience, plays a vital role in Indian aesthetics. It helps to connect the audience with the characters, create a sense of empathy, and evoke a sense of pleasure.

Satvika abhinaya is not a type of sattvika abhinaya, or expressive gesture, in Indian aesthetics. The four types of sattvika abhinaya are angika abhinaya (bodily gestures), vachika abhinaya (vocal gestures), aharya abhinaya (costume and makeup), and sattvika abhinaya (inner emotional states).

Rasa plays a vital role in Indian music. It helps to evoke emotions, create a sense of atmosphere, and tell a story.

Adbhuta is not a type of rasa in Indian dance. The nine rasas in Indian dance are Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Vira (heroism), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Shanta (peace).

Rasa plays a vital role in Indian painting. It helps to evoke emotions, create a sense of atmosphere, and tell a story.

Adbhuta is not a type of rasa in Indian sculpture. The nine rasas in Indian sculpture are Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Vira (heroism), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Shanta (peace).

Rasa plays a vital role in Indian architecture. It helps to evoke emotions, create a sense of atmosphere, and tell a story.

Adbhuta is not a type of rasa in Indian literature. The nine rasas in Indian literature are Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Vira (heroism), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Shanta (peace).

Rasa plays a vital role in Indian theater. It helps to evoke emotions, create a sense of atmosphere, and tell a story.

Adbhuta is not a type of rasa in Indian cinema. The nine rasas in Indian cinema are Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Vira (heroism), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Shanta (peace).

Rasa plays a vital role in Indian television. It helps to evoke emotions, create a sense of atmosphere, and tell a story.

Adbhuta is not a type of rasa in Indian radio. The nine rasas in Indian radio are Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Vira (heroism), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder), and Shanta (peace).