The primary role of a film editor is to take the raw footage captured during filming and arrange it into a coherent and cohesive sequence that tells a story or conveys a message.

Film editing is the process of selecting and arranging shots in a film to create a coherent and cohesive sequence.

Transitions in film editing serve multiple purposes, including connecting shots and scenes smoothly, creating a sense of rhythm and pacing, and emphasizing certain moments or elements in the story.

Cross-cutting is a film editing technique that involves cutting between two shots that are similar in content or composition, often to create a sense of tension or suspense.

Dissolves in film editing serve multiple purposes, including creating smooth transitions between shots, indicating a passage of time, and suggesting a dreamlike or surreal atmosphere.

A jump cut is a film editing technique that involves cutting between two shots that are very different in content or composition, often to create a sense of surprise or disorientation.

Montage in film editing serves multiple purposes, including condensing time and conveying a lot of information quickly, creating a sense of rhythm and pacing, and emphasizing certain moments or elements in the story.

Parallel editing is a film editing technique that involves cutting between two shots that are related in terms of content or theme, often to create a sense of comparison or contrast.

Sound effects in film editing serve multiple purposes, including creating a sense of realism and atmosphere, enhancing the emotional impact of a scene, and conveying information about the setting or characters.

Music in film editing serves multiple purposes, including creating a sense of mood and atmosphere, enhancing the emotional impact of a scene, and conveying information about the setting or characters.

A match cut is a film editing technique that involves cutting between two shots that are similar in content or composition, but with a slight variation, often to create a sense of continuity or surprise.

Cutaways in film editing serve multiple purposes, including providing additional information about the setting or characters, creating a sense of suspense or anticipation, and breaking up the monotony of a long scene.

Associative editing is a film editing technique that involves cutting between two shots that are very different in content or composition, but are related in terms of theme or symbolism.

Flashbacks in film editing serve multiple purposes, including providing backstory or context for the present story, creating a sense of mystery or intrigue, and foreshadowing future events.

Elliptical editing is a film editing technique that involves cutting between two shots that are very similar in content or composition, but with a significant difference in time or location.