Ancient Egyptian hieroglyphs, dating back to around 1900 BCE, contain depictions of dance movements, suggesting the earliest known form of dance notation.

Rudolf von Laban, a German dancer and choreographer, developed the first modern dance notation system, known as Labanotation, in the early 20th century.

The primary purpose of dance notation is to record and preserve dance movements, allowing them to be passed down to future generations and studied by researchers and dancers.

Benesh Movement Notation is widely used in ballet to record and document dance movements, due to its ability to capture the intricate footwork and upper body gestures characteristic of ballet.

Margaret Morris, an English dancer and choreographer, developed her own dance notation system, known as Morris Movement Notation, in the early 20th century.

Labanotation is based on the concept of 'kinespheres', which are imaginary spheres surrounding the body that define the range of possible movements.

Igor Stravinsky, the renowned Russian composer, developed his own dance notation system, known as Stravinsky's Choreographic Notation, in collaboration with Vera Fokina.

Noverre, a French choreographer and ballet master, developed his own dance notation system, known as Noverre's Choreographic Notation, in the 18th century.

Eshkol-Wachman Movement Notation is based on the concept of 'body-maps', which are two-dimensional representations of the body that are used to record movement.

Vera Fokina, a Russian dancer and choreographer, developed her own dance notation system, known as Fokine's Choreographic Notation, in the early 20th century.

Cunningham Notation, developed by Merce Cunningham and his collaborators, is widely used in contemporary dance to record and document movement.

Hanya Holm, a German-American dancer and choreographer, developed her own dance notation system, known as Holm's Movement Notation, in the early 20th century.

Labanotation is based on the concept of 'effort-shape', which refers to the combination of muscular effort and body shape used to create movement.

Mary Wigman, a German dancer and choreographer, developed her own dance notation system, known as Wigman's Movement Notation, in the early 20th century.

Eshkol-Wachman Movement Notation is based on the concept of 'space-time', which refers to the relationship between movement and the surrounding space and time.