The Studio System refers to the period in American film history from the 1920s to the 1960s, during which a small number of major film studios controlled the production, distribution, and exhibition of films.

The rise of independent cinema in the 1960s and 1970s was influenced by a combination of factors, including the availability of new and affordable filmmaking technology, the emergence of a counterculture movement, and the decline of the studio system.

The American New Wave is not considered to be a major independent film movement of the 1960s and 1970s in the same way that the French New Wave, the Italian New Wave, and the British New Wave are. The American New Wave is a term used to describe a group of American filmmakers who emerged in the 1960s and 1970s and who were influenced by the European New Wave movements.

Breathless, The 400 Blows, and Jules and Jim are all considered to be landmark films of the French New Wave.

8½, La Dolce Vita, and L'Avventura are all considered to be landmark films of the Italian New Wave.

Saturday Night and Sunday Morning, A Taste of Honey, and Billy Liar are all considered to be landmark films of the British New Wave.

Jean-Luc Godard, François Truffaut, and Claude Chabrol are all considered to be major figures of the French New Wave.

Federico Fellini, Michelangelo Antonioni, and Luchino Visconti are all considered to be major figures of the Italian New Wave.

Tony Richardson, Karel Reisz, and Lindsay Anderson are all considered to be major figures of the British New Wave.

The rise of independent cinema had a profound impact on the film industry. It led to a greater diversity of films being produced, it helped to break the monopoly of the major studios, and it encouraged more filmmakers to experiment with new forms of storytelling.

The Godfather is not considered to be a major independent film of the 1960s and 1970s in the same way that Easy Rider, The Graduate, and Bonnie and Clyde are. The Godfather was produced by a major studio, Paramount Pictures.

Do the Right Thing, Sex, Lies, and Videotape, and Reservoir Dogs are all considered to be major independent films of the 1980s.

Spike Lee, Steven Soderbergh, and Quentin Tarantino are all considered to be major figures of the American independent cinema of the 1980s.

The rise of independent cinema in the 1980s had a profound impact on the film industry. It led to a greater diversity of films being produced, it helped to break the monopoly of the major studios, and it encouraged more filmmakers to experiment with new forms of storytelling.

Titanic is not considered to be a major independent film of the 1990s in the same way that Pulp Fiction, The Blair Witch Project, and American Beauty are. Titanic was produced by a major studio, Paramount Pictures.