Science Fiction is not a major genre of Indian cinema, although there have been a few notable exceptions.

Alam Ara was the first Indian talkie film, released in 1931.

Dilip Kumar is widely regarded as the greatest Indian actor of all time, known for his versatility and powerful performances.

Slumdog Millionaire is the only Indian film to have won the Academy Award for Best Foreign Language Film.

Satyajit Ray is known for his realistic and socially conscious films, such as Pather Panchali, Aparajito, and The World of Apu.

Shabana Azmi is known for her strong and independent female characters, such as in Arth, Mandi, and Fire.

Sholay is considered to be a turning point in Indian cinema, as it was one of the first films to combine action, romance, comedy, and drama in a successful way.

Pather Panchali is known for its use of parallel cinema, which is a filmmaking technique that uses two or more storylines that are interwoven together.

Bicycle Thieves is known for its use of neorealism, which is a filmmaking technique that uses non-professional actors and real-life locations to create a sense of authenticity.

Like Water for Chocolate is known for its use of magic realism, which is a literary and cinematic technique that blends realistic and fantastical elements.

Un Chien Andalou is known for its use of surrealism, which is a literary and cinematic technique that uses dreamlike imagery and symbolism to create a sense of disorientation and unease.

The Cabinet of Dr. Caligari is known for its use of expressionism, which is a cinematic technique that uses distorted sets, lighting, and acting to create a sense of psychological unease.

The Seventh Seal is known for its use of symbolism, which is a literary and cinematic technique that uses objects, colors, and actions to represent abstract ideas or concepts.

Animal Farm is known for its use of allegory, which is a literary and cinematic technique that uses characters and events to represent abstract ideas or concepts.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is known for its use of satire, which is a literary and cinematic technique that uses humor to criticize or ridicule people, institutions, or ideas.