Taal is the fundamental rhythmic unit in Kathak. It consists of a specific arrangement of beats and claps, providing the underlying structure for the dance.

Teental, Jhaptaal, and Dadra are all commonly used Taals in Kathak. Each Taal has its own unique rhythmic pattern and feel.

Theka is the rhythmic pattern played on the tabla in Kathak. It provides a steady beat and accentuates the dance movements.

Layakari, Tihai, and Chakradhar are all characteristic features of Kathak rhythm. Layakari refers to the intricate rhythmic patterns, Tihai is a three-part rhythmic sequence, and Chakradhar is a rhythmic cycle.

Tatkar is the term for the rhythmic footwork in Kathak. It involves intricate footwork patterns and variations, creating a percussive effect.

Tarana, Toda, and Paran are all common rhythmic compositions in Kathak. Tarana is a fast-paced composition, Toda is a rhythmic sequence, and Paran is a composition with intricate rhythmic patterns.

Hastak is the term for the rhythmic hand movements in Kathak. It involves intricate hand gestures and patterns, adding grace and expression to the dance.

Dha-Ge-Na is a common rhythmic pattern used in Kathak's Toda composition. It consists of three beats, each with a distinct sound.

Angika is the term for the rhythmic body movements in Kathak. It involves the coordination of the entire body to create graceful and expressive movements.

Tihai, Chakradhar, and Layakari are all common rhythmic variations used in Kathak's Paran composition. These variations add complexity and depth to the rhythmic structure.

Abhinaya is the term for the rhythmic storytelling aspect of Kathak. It involves the use of facial expressions, hand gestures, and body movements to convey emotions and narratives.

Tin-Tin-Ta is a common rhythmic pattern used in Kathak's Tarana composition. It consists of three beats, each with a distinct sound.

Pakhawaj, Tabla, and Sarangi are all part of the rhythmic ensemble in Kathak. These instruments provide the rhythmic foundation and accompaniment for the dance.

Tihai, Chakradhar, and Layakari are all common rhythmic variations used in Kathak's Toda composition. These variations add complexity and depth to the rhythmic structure.

Tatkar is the term for the rhythmic footwork in Kathak. It involves intricate footwork patterns and variations, creating a percussive effect.