Audrey Hepburn's portrayal of Holly Golightly in Breakfast at Tiffany's cemented the little black dress as a symbol of sophistication and elegance.

James Dean's portrayal of Jim Stark in Rebel Without a Cause popularized the 'greaser' look, which became a symbol of teenage rebellion.

Edith Head's designs for Roman Holiday, capturing the essence of Audrey Hepburn's character, sparked a revival of 1930s fashion trends.

Sandy Powell's costumes for The Great Gatsby paid homage to the Art Deco era, capturing the glamour and decadence of the 1920s.

Colleen Atwood's costumes for Marie Antoinette, inspired by the Rococo era, popularized the 'boho-chic' style with its eclectic mix of colors and patterns.

Miuccia Prada's costumes for The Devil Wears Prada highlighted the transformative power of fashion, as Anne Hathaway's character undergoes a style evolution.

Mark Bridges' costumes for Boogie Nights authentically recreated the fashion trends of the 1970s, immersing viewers in the era's distinctive style.

Ruth E. Carter's costumes for Black Panther drew inspiration from African cultures, creating a visually stunning representation of Wakanda's unique fashion identity.

Alexandra Byrne's costumes for Elizabeth showcased the grandeur of the Tudor era, with lavish gowns and intricate details that brought the historical period to life.

Sandy Powell's costumes for The Young Victoria captured the essence of the Victorian era while adding a contemporary touch, resulting in a visually striking and historically accurate portrayal.

Colleen Atwood's costumes for Chicago traced the evolution of fashion over several decades, reflecting the changing attitudes and lifestyles of the characters.

Arianne Phillips' costumes for Walk the Line captured the essence of Johnny Cash and June Carter's musical journey, recreating their iconic stage outfits and personal styles.

Patricia Field's costumes for Sex and the City became a cultural phenomenon, defining the fashion trends of the early 2000s with their bold and eclectic combinations.

Jenny Beavan's costumes for Cruella brought the 1950s London fashion scene to life, showcasing the glamour and rebellion of the era's subcultures.

Jacqueline Durran's costumes for Pride & Prejudice captured the essence of the Regency era while adding a touch of whimsy and romance, enhancing the film's visual appeal.