Bill Viola is a pioneer in video art known for his large-scale projections that envelop viewers in sensory experiences, often exploring themes of time, memory, and spirituality.

Media facades refer to architectural surfaces that incorporate video screens, LED displays, or other digital media to create dynamic and interactive visual experiences.

Postmodern architecture often incorporated video art as a means of challenging traditional notions of space, form, and representation.

Video art in architecture aims to transform the perception and experience of space, creating dynamic and immersive environments that engage viewers on multiple levels.

Pipilotti Rist's video installation, titled 'Pour Your Body Out (7354 Cubic Meters)', featured a mesmerizing projection of flowing water and light that transformed the museum's atrium into an immersive sensory experience.

Technical limitations, such as the integration of video equipment, projection systems, and software, can pose significant challenges for artists working with video art in architectural contexts.

Doug Aitken's 'Sonic Fountain' installation involved projecting a video of a waterfall onto the exterior of a building, creating a mesmerizing illusion of water cascading down the structure.

Responsive art refers to video art that incorporates sensors, motion detection, or other technologies to react to and interact with its architectural environment.

Olafur Eliasson's 'The Weather Project' transformed the Turbine Hall into a vast, immersive space filled with mist and projections of clouds and sunlight.

Video art in architectural spaces aims to create immersive and engaging experiences that challenge traditional notions of space, perception, and representation.

Bill Viola's 'Going Forth By Day' featured a series of screens displaying moving images of people walking through the museum, creating a contemplative and reflective experience for viewers.

Architectural video art refers to video art that is specifically designed and produced to be integrated into and interact with architectural spaces.

Yayoi Kusama's 'Dots Obsession' featured a series of moving images of colorful polka dots projected onto the exterior of the Centre Pompidou, creating a mesmerizing and playful visual display.

Video art in architectural spaces primarily aims to enhance the spatial experience by creating dynamic and immersive environments that engage viewers on multiple levels.

Marina Abramovic's 'The Artist Is Present' featured a series of moving images projected onto the walls of an abandoned building, creating a haunting and contemplative experience for viewers.