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The Enlightenment and Beyond: Historical Drama's Modern Evolution

Description: Explore the evolution of historical drama from the Enlightenment to the present day, focusing on the ways in which playwrights have adapted historical events and figures to explore contemporary issues and themes.
Number of Questions: 15
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Tags: drama history enlightenment modern
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Which of the following is NOT a characteristic of Enlightenment historical drama?

  1. Emphasis on historical accuracy

  2. Use of allegory and symbolism

  3. Exploration of contemporary issues

  4. Didactic purpose


Correct Option: A
Explanation:

Enlightenment historical dramas were often more concerned with using historical events and figures to explore contemporary issues and themes than with presenting a historically accurate account of events.

Which of the following playwrights is NOT associated with the Enlightenment?

  1. Voltaire

  2. Denis Diderot

  3. Pierre Corneille

  4. Gotthold Ephraim Lessing


Correct Option: C
Explanation:

Pierre Corneille was a French playwright of the 17th century, while Voltaire, Diderot, and Lessing were all associated with the Enlightenment in the 18th century.

What is the central theme of Voltaire's play 'Zaïre'?

  1. The conflict between love and duty

  2. The clash of cultures

  3. The power of religion

  4. The futility of war


Correct Option: A
Explanation:

In 'Zaïre', Voltaire explores the conflict between love and duty through the story of a Christian knight who falls in love with a Muslim woman.

Which of the following is NOT a characteristic of Romantic historical drama?

  1. Emphasis on individual freedom

  2. Celebration of the past

  3. Use of heightened language and imagery

  4. Exploration of the supernatural


Correct Option: B
Explanation:

Romantic historical dramas often used the past as a setting to explore contemporary issues and themes, rather than celebrating the past for its own sake.

Which of the following playwrights is NOT associated with Romanticism?

  1. William Shakespeare

  2. Victor Hugo

  3. Friedrich Schiller

  4. Lord Byron


Correct Option: A
Explanation:

William Shakespeare was a playwright of the Renaissance and early modern period, while Victor Hugo, Schiller, and Byron were all associated with Romanticism in the 19th century.

What is the central theme of Victor Hugo's play 'Hernani'?

  1. The conflict between love and honor

  2. The clash of social classes

  3. The power of fate

  4. The futility of rebellion


Correct Option: A
Explanation:

In 'Hernani', Hugo explores the conflict between love and honor through the story of a bandit who falls in love with a noblewoman.

Which of the following is NOT a characteristic of Realist historical drama?

  1. Emphasis on historical accuracy

  2. Use of everyday language and settings

  3. Exploration of social and political issues

  4. Idealization of the past


Correct Option: D
Explanation:

Realist historical dramas often used the past as a setting to explore contemporary issues and themes, rather than idealizing the past for its own sake.

Which of the following playwrights is NOT associated with Realism?

  1. Henrik Ibsen

  2. Anton Chekhov

  3. August Strindberg

  4. Oscar Wilde


Correct Option: D
Explanation:

Oscar Wilde was a playwright of the Aesthetic movement, while Ibsen, Chekhov, and Strindberg were all associated with Realism in the late 19th and early 20th centuries.

What is the central theme of Henrik Ibsen's play 'A Doll's House'?

  1. The conflict between individual freedom and social expectations

  2. The clash of gender roles

  3. The power of money

  4. The futility of marriage


Correct Option: A
Explanation:

In 'A Doll's House', Ibsen explores the conflict between individual freedom and social expectations through the story of a woman who leaves her husband and children to pursue her own life.

Which of the following is NOT a characteristic of Modernist historical drama?

  1. Fragmentation and discontinuity

  2. Use of experimental techniques

  3. Exploration of the subconscious

  4. Idealization of the past


Correct Option: D
Explanation:

Modernist historical dramas often used the past as a setting to explore contemporary issues and themes, rather than idealizing the past for its own sake.

Which of the following playwrights is NOT associated with Modernism?

  1. T.S. Eliot

  2. Bertolt Brecht

  3. Eugene O'Neill

  4. George Bernard Shaw


Correct Option: D
Explanation:

George Bernard Shaw was a playwright of the Realist and Edwardian periods, while Eliot, Brecht, and O'Neill were all associated with Modernism in the early 20th century.

What is the central theme of T.S. Eliot's play 'Murder in the Cathedral'?

  1. The conflict between church and state

  2. The clash of good and evil

  3. The power of martyrdom

  4. The futility of violence


Correct Option: A
Explanation:

In 'Murder in the Cathedral', Eliot explores the conflict between church and state through the story of the murder of Thomas Becket, Archbishop of Canterbury.

Which of the following is NOT a characteristic of Postmodern historical drama?

  1. Irony and parody

  2. Deconstruction of historical narratives

  3. Exploration of multiple perspectives

  4. Idealization of the past


Correct Option: D
Explanation:

Postmodern historical dramas often use the past as a setting to explore contemporary issues and themes, rather than idealizing the past for its own sake.

Which of the following playwrights is NOT associated with Postmodernism?

  1. Tony Kushner

  2. Caryl Churchill

  3. Sarah Kane

  4. Tom Stoppard


Correct Option: D
Explanation:

Tom Stoppard is a playwright of the Absurdist and Realist movements, while Kushner, Churchill, and Kane were all associated with Postmodernism in the late 20th and early 21st centuries.

What is the central theme of Tony Kushner's play 'Angels in America'?

  1. The AIDS crisis in America

  2. The clash of political ideologies

  3. The power of love

  4. The futility of hope


Correct Option: A
Explanation:

In 'Angels in America', Kushner explores the AIDS crisis in America through the stories of a group of characters in New York City in the 1980s.

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