Maurice Jarre's sweeping and evocative score for "Lawrence of Arabia" won him an Academy Award and remains a classic example of film music.

Shirley Bassey's powerful rendition of "Goldfinger" became an instant hit and is considered one of the most recognizable Bond themes of all time.

Simon & Garfunkel's folk-rock infused score for "The Graduate" perfectly captured the film's mood and became a defining soundtrack of the 1960s.

Ennio Morricone's iconic composition "The Good, the Bad and the Ugly" is widely regarded as one of the greatest film themes ever written.

Stanley Kubrick's collaboration with Richard Strauss resulted in a score that seamlessly blended classical and electronic elements, creating a unique and unforgettable soundscape.

Joan Baez's rendition of "We Shall Overcome" became a powerful symbol of hope and unity during the civil rights movement.

Henry Mancini's elegant and sophisticated score for "Breakfast at Tiffany's" perfectly complemented the film's atmosphere and became a timeless classic.

The title track "The Sound of Music" became an instant hit and remains one of the most recognizable and beloved songs from the film.

Burt Bacharach's playful and energetic score for "Butch Cassidy and the Sundance Kid" perfectly captured the film's comedic and adventurous tone.

Monty Norman's "Dr. No" theme set the tone for the entire James Bond franchise and became an iconic piece of film music.

Bernard Herrmann's screeching and unsettling score for "Psycho" perfectly complemented the film's suspenseful and disturbing atmosphere.

Simon & Garfunkel's "Mrs. Robinson" became a defining song of the 1960s and perfectly captured the film's themes of alienation and disillusionment.

Alex North's grand and sweeping score for "Cleopatra" perfectly complemented the film's epic scale and historical setting.

Earl Scruggs' banjo-driven instrumental "Foggy Mountain Breakdown" became an iconic piece of music associated with the film "Bonnie and Clyde".