The Minnesingers primarily used German as their language of composition.

Minnesang primarily focused on themes of love and romance, often expressing the emotions and experiences of courtly love.

Conductus is a form of polyphonic music associated with the Notre Dame School, not specifically with the Minnesingers.

The lute was the most commonly used instrument to accompany Minnesang performances.

Walther von der Vogelweide is widely regarded as one of the most significant and influential Minnesingers.

Fahrende Musiker, meaning 'traveling musicians,' was the term used for itinerant Minnesingers.

Minnesang is typically characterized by its use of elaborate metaphors and symbolism, not simple and direct language.

Minnesang primarily served as a form of entertainment in aristocratic courts.

Praise of the Virgin Mary is not a common theme in Minnesang, which primarily focused on secular topics.

Lied, meaning 'song,' was the term used for the poetic form commonly found in Minnesang.

Gottfried von Strassburg is primarily known as a poet and author, not specifically as a Minnesinger.

Weisen, meaning 'melodies,' was the term used to describe the musical aspect of Minnesang.

Minnesang melodies were typically monophonic, not polyphonic.

Minnesang performances primarily served as a form of entertainment and social interaction in aristocratic circles.

Neidhart von Reuental is primarily associated with the 13th century, not the 12th century.