Imagism, a poetic movement that emerged in the early 20th century, shares a close relationship with Cubism. Both movements emphasize the importance of fragmentation, multiple perspectives, and the use of concrete imagery.

Cubism's emphasis on fragmentation and multiple perspectives influenced literary works in various ways. It encouraged the use of non-linear narratives, stream-of-consciousness writing, and multiple narrators, allowing writers to explore different dimensions of a story or character.

Juxtaposition, collage, and montage are all techniques used in Cubist-influenced poetry. These techniques involve combining disparate images, ideas, or words to create new meanings and perspectives.

Ezra Pound, T.S. Eliot, and Guillaume Apollinaire are all poets who were significantly influenced by Cubism. Their works exhibit the fragmented, multi-perspective, and image-centric characteristics associated with Cubism.

Cubism's emphasis on multiple perspectives and fragmentation influenced the portrayal of time and space in literature. Writers explored multiple timelines, non-linear narratives, and fragmented imagery to convey the complexity and subjectivity of human experience.

Poetry was the literary genre most directly influenced by Cubism. Poets experimented with fragmentation, multiple perspectives, and the use of concrete imagery to create poems that reflected the fragmented and multi-faceted nature of modern life.

Cubism's emphasis on fragmentation and multiple perspectives challenged traditional notions of representation in literature. Writers experimented with abstract language, explored multiple perspectives, and rejected conventional narrative structures to create works that reflected the complexity and subjectivity of human experience.

The Waste Land by T.S. Eliot, Ulysses by James Joyce, and Alcools by Guillaume Apollinaire are all literary works that exhibit significant Cubist influence. These works employ fragmented narratives, multiple perspectives, and complex imagery to explore the complexities of modern life.

Cubism's emphasis on multiple perspectives and fragmentation influenced the portrayal of characters in literature. Writers created complex and multifaceted characters, used multiple narrators to present different perspectives, and explored the subconscious mind and inner thoughts of characters to provide a deeper understanding of human psychology.

Stream-of-consciousness writing, collage, and juxtaposition are all techniques used in Cubist-influenced prose. These techniques allow writers to convey the fragmented and multi-faceted nature of human consciousness and experience.

Cubism's emphasis on fragmentation and multiple perspectives influenced the use of language in literature. Writers experimented with abstract and fragmented language, explored the subconscious mind through language, and developed new poetic forms and structures to express the complexities of modern life.

Surrealism emerged as a reaction against the fragmented and subjective nature of Cubism. Surrealists sought to explore the subconscious mind and create works that reflected the irrational and dreamlike aspects of human experience.

Cubism's emphasis on fragmentation and multiple perspectives influenced the portrayal of objects and settings in literature. Writers used fragmented and disjointed imagery, explored multiple perspectives on objects and settings, and employed abstract and symbolic language to create complex and evocative descriptions.

Multiple stage sets, fragmented dialogue, and non-linear narratives are all techniques used in Cubist-influenced drama. These techniques allow playwrights to explore multiple perspectives, create a sense of fragmentation, and convey the complexity of human experience.