Jacques Derrida, Michel Foucault, and Jean-François Lyotard are all considered to be major figures in the development of post-structuralism.

Post-structuralism is a philosophical movement that rejects the idea of a single, objective truth and argues that language is a system of signs that can never fully represent reality. It also emphasizes the social construction of knowledge.

Post-structuralism had a profound impact on the development of new forms of art and music. It encouraged artists and musicians to reject traditional forms and conventions, experiment with new techniques and materials, and adopt a more interdisciplinary approach to their work.

Deconstructivism, Minimalism, and Conceptual Art are all artistic movements that have been associated with post-structuralism. These movements share a rejection of traditional forms and conventions, an emphasis on experimentation, and a focus on the social and political context of art.

Experimental music, electronic music, and free jazz are all musical genres that have been associated with post-structuralism. These genres share a rejection of traditional forms and conventions, an emphasis on experimentation, and a focus on the social and political context of music.

Robert Rauschenberg is known for his deconstructive approach to painting, which involved using found objects and unconventional materials in his work. He is considered to be one of the pioneers of the Pop Art movement.

John Cage, Karlheinz Stockhausen, and Pierre Boulez are all known for their experimental approach to music. They have explored new sounds, techniques, and forms in their work, and have challenged traditional notions of what music is and can be.

Post-structuralism provided a theoretical framework for artists and musicians to explore new possibilities, encouraged them to challenge traditional forms and conventions, and promoted a more interdisciplinary approach to art and music.

Post-structuralism marked a break from traditional forms and conventions in art and music, leading to the development of new genres and encouraging artists and musicians to engage with social and political issues.

Post-structuralist art and music are characterized by a rejection of traditional forms and conventions, an emphasis on experimentation, and a focus on the social and political context. They do not, however, typically exhibit a commitment to realism.

Jackson Pollock is not typically associated with post-structuralism. He is more commonly associated with the Abstract Expressionist movement.

Igor Stravinsky is not typically associated with post-structuralism. He is more commonly associated with the modernist movement.

Impressionism is not a post-structuralist artistic movement. It is more commonly associated with the modernist movement.

Classical music is not a post-structuralist musical genre. It is more commonly associated with the modernist movement.

Post-structuralism rejects the belief in the power of language to represent reality. Instead, it emphasizes the arbitrary and contingent nature of language and the ways in which it shapes our understanding of the world.