Duke Ellington and Billy Strayhorn collaborated on many jazz classics, including 'Satin Doll', 'Take Five', and 'My Funny Valentine'.

DuBose Heyward wrote the lyrics for 'Summertime', which was originally featured in the opera 'Porgy and Bess'.

Miles Davis' trumpet solo in 'So What' is considered one of the most iconic and influential solos in jazz history.

Thelonious Monk composed all of the jazz standards mentioned: 'Blue Monk', 'Round Midnight', and 'Straight, No Chaser'.

Ella Fitzgerald's scat singing solo in 'How High the Moon' is considered a masterpiece of vocal improvisation.

'Giant Steps' by John Coltrane is renowned for its challenging harmonic structure and rapid tempos.

Ira Gershwin wrote the lyrics for 'I Got Rhythm', which was composed by his brother George Gershwin.

John Coltrane's saxophone solo in 'My Favorite Things' is considered one of his most iconic and influential performances.

All of the jazz standards mentioned ('Summertime', 'Bess, You Is My Woman Now', and 'I Got Plenty o' Nuttin'') were originally featured in the musical 'Porgy and Bess'.

Charles Mingus' bassline in 'Moanin'' is considered one of the most iconic and recognizable basslines in jazz.

Johnny Mercer, Jacques Prévert, and Joseph Kosma collaborated on the lyrics for 'Autumn Leaves', which was originally a French song titled 'Les Feuilles Mortes'.

'Giant Steps' by John Coltrane is known for its challenging harmonic structure, rapid tempos, and use of polyrhythms and complex time signatures.

Dizzy Gillespie and Charlie Parker collaborated on all of the jazz standards mentioned: 'A Night in Tunisia', 'Groovin' High', and 'Salt Peanuts'.

Art Tatum recorded memorable piano solos for all of the jazz standards mentioned: 'Tea for Two', 'Over the Rainbow', and 'Stardust'.

'As Time Goes By' by Herman Hupfeld was featured in the film 'Casablanca' and became a jazz standard.