Formalism in performance art emphasizes the analysis of the formal elements of the performance, such as time, space, movement, and sound, rather than the artist's intention, the audience's reaction, or the social and political context of the performance.

In formalism, time can be used to create a sense of duration and progression, stasis and repetition, surprise and unpredictability, or ritual and ceremony, depending on the artist's intention and the nature of the performance.

In formalism, space can be used to create a sense of containment and enclosure, openness and expansion, intimacy and connection, or alienation and distance, depending on the artist's intention and the nature of the performance.

In formalism, time and space are not independent of each other, but rather are interdependent and mutually constitutive. This means that the way in which time is experienced in a performance is shaped by the space in which it takes place, and vice versa.

The key formal elements of performance art are time, space, movement, and sound. These elements are used by artists to create a variety of effects and experiences for the audience.

Formalist critics evaluate performance art by focusing on the formal elements of the performance, such as time, space, movement, and sound. They analyze how these elements are used to create a particular effect or experience for the audience.

Formalism in performance art has been criticized for being too focused on form and neglecting content, for being too elitist and inaccessible to the general public, for being too subjective and not providing a clear basis for evaluation, and for being too narrow and not taking into account the social and political context of performance art.

Marina Abramović, Joseph Beuys, and John Cage are all artists who are known for their work in formalism in performance art.

Formalism focuses on the form of the performance, while conceptualism focuses on the concept behind the performance. Formalism is more concerned with aesthetics, while conceptualism is more concerned with ideas. Formalism is more traditional, while conceptualism is more experimental.

Formalism in performance art has influenced the development of installation art, video art, and dance and theater.

It is impossible to predict the future of formalism in performance art. It may continue to be a major force in the art world, it may decline in popularity as new art forms emerge, or it may be absorbed into other art forms.

Formalism in performance art today faces a number of challenges, including the rise of new media and technologies, the changing nature of the audience, and the increasing commercialization of the art world.

Formalism in performance art can be made more accessible to a wider audience by using more familiar and relatable materials and imagery, by creating performances that are shorter and more concise, and by providing more information about the performance to the audience.

In formalism, the audience is both a passive observer and an active participant. The audience observes the performance, but they also participate in it by bringing their own experiences and interpretations to the work.

Formalism in performance art is related to other art forms, such as painting, sculpture, and dance, but it is also unique in its own way.