The Stanislavski Method, developed by Russian actor and director Konstantin Stanislavski, emphasizes the actor's emotional connection to the character and the play's story. It involves the actor using their own personal experiences and emotions to bring the character to life.

Brechtian Acting, developed by German playwright and director Bertolt Brecht, aims to alienate the audience from the play. This is done through techniques such as breaking the fourth wall, using non-realistic sets and costumes, and presenting the play as a series of episodes rather than a continuous narrative.

Physical Acting emphasizes the actor's physicality and movement. It involves the actor using their body to express emotions, communicate ideas, and create a sense of character. Physical Acting is often used in contemporary theater and film.

Classical Acting aims to present the play in a historically accurate manner. This involves the actor using the language, movement, and gestures of the period in which the play is set. Classical Acting is often used in Shakespearean theater and period dramas.

Surrealist Acting encourages the actor to explore the subconscious mind and dreams to create a character. It involves the actor using techniques such as automatic writing, dream analysis, and collage to create a character that is both unique and psychologically complex.

Method Acting emphasizes creating a sense of emotional realism. It involves the actor using their own personal experiences and emotions to bring the character to life. Method Acting is often used in contemporary theater and film.

Character Acting emphasizes the actor's ability to transform their voice and physical appearance to create a character. It involves the actor using makeup, costumes, and vocal techniques to create a character that is distinct from their own personality.

Stanislavski's System, developed by Russian actor and director Konstantin Stanislavski, emphasizes creating a sense of emotional realism. It involves the actor using their own personal experiences and emotions to bring the character to life. Stanislavski's System is often used in contemporary theater and film.

Physical Acting emphasizes the actor's ability to use their body and voice to create a character. It involves the actor using movement, gesture, and vocal techniques to create a character that is both physically and emotionally expressive.

Classical Acting emphasizes presenting the play in a historically accurate manner. It involves the actor using the language, movement, and gestures of the period in which the play is set. Classical Acting is often used in Shakespearean theater and period dramas.

Improvisational Acting emphasizes the actor's ability to create a character through improvisation and spontaneity. It involves the actor using their imagination and creativity to create a character and respond to the other actors in the scene. Improvisational Acting is often used in comedy and sketch comedy.

Brechtian Acting, developed by German playwright and director Bertolt Brecht, aims to alienate the audience from the play. This is done through techniques such as breaking the fourth wall, using non-realistic sets and costumes, and presenting the play as a series of episodes rather than a continuous narrative.

Surrealist Acting encourages the actor to explore the subconscious mind and dreams to create a character. It involves the actor using techniques such as automatic writing, dream analysis, and collage to create a character that is both unique and psychologically complex.

Method Acting emphasizes creating a sense of emotional realism. It involves the actor using their own personal experiences and emotions to bring the character to life. Method Acting is often used in contemporary theater and film.

Character Acting emphasizes the actor's ability to transform their voice and physical appearance to create a character. It involves the actor using makeup, costumes, and vocal techniques to create a character that is distinct from their own personality.