Cubists sought to challenge traditional notions of representation by breaking down objects into their basic geometric shapes and reassembling them in a new and fragmented way.

Pablo Picasso, along with Georges Braque, is credited with developing the Cubist style in the early 20th century.

The first Cubist exhibition was held at the Salon d'Automne in Paris in 1911.

Les Demoiselles d'Avignon, painted by Pablo Picasso in 1907, is widely regarded as the first Cubist painting.

Deconstruction is the term used to describe the breaking down of objects into their basic geometric shapes in Cubist art.

Cubists often used multiple perspectives to depict objects from different angles simultaneously.

Cubists frequently depicted still lifes, as they allowed them to explore the formal qualities of objects and experiment with different arrangements.

Piet Mondrian was influenced by Cubism but later developed his own distinct style known as Neo-Plasticism, characterized by the use of primary colors and geometric abstraction.

Cubism had a profound impact on the development of modern art, influencing various movements such as Abstract Expressionism, Futurism, and Surrealism.

Cubists often used muted and earthy colors, rather than realistic colors, to emphasize the formal qualities of objects.

Cubism was a groundbreaking movement that marked the beginning of modern art, challenged traditional notions of representation, and led to the development of new artistic techniques.

Violin and Candlestick is a Cubist painting by Georges Braque that depicts a violin and a candlestick arranged on a table.

Readymade is the term used to describe the incorporation of everyday objects, often unaltered, into Cubist collages.

Fernand Léger is known for his use of vibrant colors and geometric shapes in his Cubist paintings.

Cubists used multiple perspectives to challenge traditional notions of representation and explore the different ways an object can be perceived.