Deconstructivism, an architectural style that emerged in the late 20th century, drew inspiration from Cubism's fragmented and non-linear approach to form. Deconstructivist buildings often exhibit a sense of instability and disorientation, challenging traditional notions of order and symmetry.

Cubism encouraged designers to explore the relationship between art and functionality. Furniture and interior spaces were designed with a focus on both aesthetic appeal and practical use, blurring the boundaries between art and everyday objects.

Frank Gehry, a renowned architect, is credited with revolutionizing architecture through his innovative use of Cubist principles. His buildings, such as the Guggenheim Museum in Bilbao, Spain, exemplify the fragmented and non-linear forms characteristic of Cubism.

Cubist architecture is characterized by its emphasis on fragmentation and multiple perspectives. Buildings are often composed of geometric shapes arranged in a non-linear manner, creating a sense of disorientation and challenging traditional notions of form and space.

Cubism's influence on textiles and fashion manifested in the introduction of abstract patterns and bold colors. Designers experimented with geometric shapes, fragmented forms, and vibrant hues, creating a new aesthetic that challenged conventional notions of beauty and ornamentation.

Streamline Moderne, a design movement that gained popularity in the 1930s, emerged as a reaction against the fragmented and non-linear forms of Cubism. It emphasized sleek, streamlined forms, rounded corners, and a sense of movement, reflecting the technological advancements and optimism of the era.

Cubism encouraged the integration of art and public spaces. Artists and designers collaborated to create public artworks, sculptures, and installations that engaged with the surrounding environment and challenged traditional notions of public art.

Jean Arp, a Swiss artist and sculptor, is renowned for incorporating Cubist principles into his furniture designs. His chairs, tables, and other furniture pieces often featured fragmented forms, geometric shapes, and a playful sense of abstraction.

Cubism's influence on jewelry and accessories led to the introduction of geometric shapes and bold colors. Jewelry designers experimented with fragmented forms, sharp angles, and vibrant hues, creating a new aesthetic that challenged conventional notions of beauty and ornamentation.

Cubist architecture frequently employs intersecting planes and fragmented forms to create a sense of fragmentation and multiple perspectives. This technique challenges traditional notions of unity and coherence, resulting in buildings that appear to be composed of multiple, distinct elements.

Cubism's influence on graphic art and typography led to the introduction of abstract shapes and bold colors. Graphic designers experimented with geometric forms, fragmented compositions, and vibrant hues, creating a new visual language that challenged conventional notions of beauty and legibility.

Sonia Delaunay, a French artist and designer, is renowned for incorporating Cubist principles into her interior design projects. Her work often featured bold colors, geometric patterns, and a playful sense of abstraction, creating dynamic and visually stimulating spaces.

Cubism's influence on stage sets and theatrical productions led to the introduction of fragmented and non-linear narratives. Playwrights and directors experimented with multiple perspectives, shifting timelines, and disjointed scenes, challenging traditional notions of storytelling and creating a new theatrical experience.

Deconstructivism, an architectural movement that emerged in the late 20th century, can be seen as a continuation of Cubism's fragmented and non-linear approach to form. Deconstructivist buildings often exhibit a sense of instability and disorientation, challenging traditional notions of order and symmetry.

Cubism's influence on product packaging and branding led to the introduction of geometric shapes and bold colors. Designers experimented with fragmented forms, sharp angles, and vibrant hues, creating a new visual language that challenged conventional notions of beauty and legibility.