Cubism's revolutionary approach to representation involved depicting subjects from multiple viewpoints simultaneously, breaking away from the traditional single-point perspective.

Pablo Picasso, along with Georges Braque, is recognized as the co-founder of Cubism, introducing the radical concept of multiple perspectives and fragmented forms.

Initially, Cubism encountered resistance from critics and the general public, who struggled to understand its unconventional style and fragmented forms.

Daniel-Henry Kahnweiler, a prominent art dealer, became a staunch supporter of Cubism and played a pivotal role in promoting the movement's artists, including Picasso and Braque.

Cubism challenged the traditional notion of a single, objective standard of beauty by presenting multiple perspectives and fragmented forms, suggesting that beauty is subjective and multifaceted.

The Armory Show in 1913 was a pivotal event that brought Cubism to the attention of a wider audience and marked its official recognition by the art establishment.

Gertrude Stein, an American writer and art collector, was an early and influential supporter of Cubism, acquiring works by Picasso and Braque and promoting the movement through her writings and social circle.

Cubism's radical approach to representation and its emphasis on multiple perspectives had a profound impact on the development of subsequent art movements, including Abstract Expressionism, Surrealism, and Pop Art.

In the long term, Cubism's influence contributed to a shift in collecting trends, with collectors becoming more interested in modern art and embracing the innovative and challenging aesthetics of Cubism and other avant-garde movements.

Les Demoiselles d'Avignon, painted in 1907, is widely regarded as one of the most significant works of Cubism and a pivotal moment in the development of modern art.

Cubism's revolutionary approach to space involved depicting multiple perspectives simultaneously, breaking away from the traditional single-point perspective and creating a sense of fragmented and disjointed space.

Georges Braque, along with Picasso, is credited with introducing collage and papier collé into Cubism, incorporating fragments of newspaper, wallpaper, and other materials into their compositions.

Critics had varying responses to Cubism, with some recognizing its innovative potential while others vehemently opposed its radical departure from traditional aesthetics.

Cubism's influence extended beyond painting, impacting the development of modern sculpture through its emphasis on multiple perspectives, fragmented forms, and the incorporation of non-traditional materials.

Fernand Léger is renowned for his vibrant use of colors and geometric shapes, creating a unique visual language that set him apart from other Cubist artists.