Remote cameras are typically mounted on platforms or towers and operated remotely, allowing for a variety of shots and angles.

A jib is a long, articulated arm that extends the reach of the camera, allowing it to capture shots from high angles or over obstacles.

The replay operator is responsible for recording and playing back video clips of key moments in the game for instant replays.

Condenser microphones are not typically used in sports broadcasting due to their sensitivity to wind noise and other environmental factors.

The video switcher is used to select and switch between different camera feeds, allowing the director to choose the best shots for the broadcast.

The color commentator provides analysis and insights for viewers, helping them understand the game and appreciate the finer points.

Syndicated broadcasts are not a common format for sports broadcasting, as they typically involve the distribution of pre-recorded content to multiple broadcasters.

The prompter displays scripts and talking points for commentators, allowing them to deliver their commentary smoothly and accurately.

Studios are not typically used as sports broadcasting venues, as they are not designed for live sports events.

The producer is responsible for developing and implementing the overall creative vision for the broadcast, including the selection of camera angles, graphics, and music.

Drones are not typically used in sports broadcasting, as they are not allowed in many stadiums and arenas due to safety concerns.

The graphics generator is used to generate live graphics and overlays for the broadcast, such as scores, player names, and statistics.

Bird's-eye view shots are not commonly used in sports broadcasting, as they are typically not available in most venues.

The director is responsible for making creative decisions about the broadcast, such as camera angles, graphics, and music.

Effects feeds are not typically used in sports broadcasting, as they are more commonly used in film and television production.